Jewish Studies Unscrolled: “Raisins and Almonds” and Yiddish Folksong in Classical Folk Music with Alex Weiser
Dec 31, 2024
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Join Pulitzer Prize finalist Alex Weiser, Director of Public Programs at the YIVO Institute for Jewish Research, as he dives into the iconic Yiddish lullaby 'Raisins and Almonds.' He traces its evolution from folk origins to a theatrical centerpiece. Weiser discusses how Yiddish melodies have influenced classical compositions, showcasing artists who reshape traditional sounds with modern techniques. The conversation culminates in an exploration of unique interpretations, contrasting dissonant contemporary styles with rich, historical melodies that continue to resonate.
The transformation of 'Raisins and Almonds' from folk lullaby to theatrical centerpiece illustrates the adaptability of Jewish musical heritage over time.
Contemporary composers like Judith Shaiten reflect innovation in Jewish folk music by employing modern techniques while honoring traditional roots.
Deep dives
The Significance of Rozhankizmit Mandolin
Rozhankizmit Mandolin, also known as Raisins and Almonds, is a prominent Yiddish song that was written by Avram Goldfaden, a key figure in modern Yiddish theater. The song premiered in the operetta Shulamis in 1880, showcasing a blend of Goldfaden's original lyrics and melodies derived from an earlier folk lullaby, Unter dem Kind's Vigale. This transformation introduces a new layer of context, as the lullaby is now situated within a scene in the Temple of Jerusalem, adding a proto-Zionist element. Goldfaden’s version became a cultural staple, demonstrating how folk traditions can evolve into theatrical expressions while preserving their roots in communal storytelling and sentimentality.
The Evolution of Folk Songs Through Composition
The podcast explores how modern composers have interacted with the traditional folk song Unter dem Kind's Vigale, highlighting different interpretations that have emerged over the 20th century. Composers like Lazar Siminski sought to arrange these folk songs for classical performance, maintaining the essence of the original while providing a richer orchestrated experience. Joseph Achron, on the other hand, took a more innovative approach by adapting the music, creating a fresh interpretation that still rooted itself in folk traditions. This dialogue between tradition and modernity illustrates the ongoing relevance and adaptability of Jewish musical heritage in contemporary compositions.
Contemporary Interpretations and Innovations
The podcast concludes by discussing contemporary interpretations of traditional Jewish folk songs, particularly focusing on the works of modern composers like Judith Shaiten. Shaiten's compositions reflect a departure from traditional harmonies, utilizing innovative techniques and approaches that challenge listeners while still being anchored in folk traditions. By incorporating extended piano techniques and complex harmonics, her compositions present a fresh perspective on the Jewish musical narrative. This evolution of the folk song tradition, as evidenced through various composers, underscores the dynamic interplay between preserving cultural identity and embracing creative exploration.
Today on Jewish Studies Unscrolled, we explore the history and evolution of “Rozhinkes mit Mandlen” (Raisins and Almonds), the iconic Yiddish lullaby written by Avrom Goldfaden for his 1880 operetta Shulamis. Our guest, Pulitzer Prize finalist Alex Weiser, Director of Public Programs at the YIVO Institute for Jewish Research, joins us to discuss the song’s transformation from its original folk origins in the rendition, “Unter dem Kinds Vigele” (Under the Child’s Cradle), to a theatrical centerpiece, as well as its lasting influence on Jewish music. Beginning with a field recording by the folklorist Ruth Rubin, we discuss how this simple lullaby inspired classical compositions by Lazare Saminsky, Joseph Achron, Stefan Wolpe, and Judith Shatin.
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