Esha Niyogi De, "Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia" (U Illinois Press, 2024)
Mar 1, 2025
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Esha Niyogi De, a senior lecturer at UCLA and a leading voice in South Asian film studies, dives into the vital yet overlooked roles of women in the cinema of India, Pakistan, and Bangladesh. She discusses how female filmmakers have challenged norms and shaped narratives through collaboration. Esha highlights the historical gaps in archival representation and the transformative impact of women's cinema over time. The conversation also touches on evolving gender dynamics, the mother genre's influence, and the effects of digital media on women's storytelling in film.
Esha Niyogi De highlights women's significant contributions as stars, directors, and producers across South Asian cinema, using rare archival sources.
The concept of 'transborder cinema' reveals how female filmmakers navigate complex borders that influence their artistic practices and resource access.
Collaborative authorship among women filmmakers fosters a supportive community that empowers their voices and challenges traditional industry narratives.
Deep dives
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Women in South Asian Cinema
The book explores the significant contributions of women in South Asian cinema, particularly as stars, directors, and producers in India, Pakistan, and Bangladesh. By utilizing archival sources, the author highlights the historical roles of these women in shaping the film industry and sheds light on progressive narratives about women's experiences and identities. The comparative analysis reveals the complexities and challenges faced by female filmmakers, allowing for a deeper understanding of their creative endeavors. This rich exploration underscores the impact of socio-cultural contexts on women's cinema in the region.
Navigating Borders in Film
The concept of 'transborder cinema' distinguishes itself from transnational cinema by emphasizing the multiple border dynamics influencing women's cinema in South Asia. These borders can be conceptual, institutional, or territorial, affecting how female filmmakers negotiate their artistic practices and access resources. By examining these various dimensions, the author facilitates a nuanced understanding of how women navigate cultural and state-imposed barriers to express their narratives. This framework also allows for the critical examination of how women's art intersects with broader geopolitical contexts and gender politics.
Collaborative Authorship in Cinema
The notion of collaborative authorship emphasizes the importance of creative agency among female filmmakers in the South Asian context. By recognizing their roles not just as stars but also as key decision-makers, the research challenges traditional narratives that often marginalize women's contributions behind the scenes. The findings reveal how female authorship is shaped by collaborative efforts with female peers and fans, fostering a supportive community that amplifies their voices. This shift allows for richer representations and responses to societal norms, challenging prevailing conventions in the film industry.
The Evolution of Women Filmmakers
The historical context reveals how women filmmakers in South Asia have adapted their practices in response to changing political and cultural landscapes. From early cinematic portrayals centered around maternal themes to contemporary narratives reflecting individual empowerment, the evolution showcases the resilience and creativity of women in film. The examination of regional cinemas highlights the struggles and successes of female filmmakers as they negotiate access to resources and audiences. Understanding these dynamics provides valuable insights into the ongoing challenges and opportunities for women's representation and participation in the cinematic landscape.
Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region?
In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia(University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011).
The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.