
Work For Humans AI as Dramaturg: What It Means to Create Art with a Machine | Matthew Gasda and Isobel McCrum
Oct 7, 2025
Matthew Gasda, a playwright and founder of the Brooklyn Center for Theater Research, teams up with Isobel McCrum, a language scientist from Microsoft, to explore the intriguing intersection of AI and art. They dive into how AI served as a dramaturg for Gazda's play, Doomers, sparking audience debates about machine-made creativity. The duo discusses the limits of AI in capturing human depth, the implications of Borges' concepts on authorship, and the evolution of theater in a tech-driven world. Can art retain its essence when machines join the creative process?
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Audience Debate Sparked The Project
- Two women in the audience debated whether crediting Claude and ChatGPT meant the AI wrote the play.
- Their unease prompted Isobel to reflect on how human reactions shape AI's cultural meaning.
Silicon Valley Conversation Became A Play
- Matthew describes encountering AI insiders at a Chelsea loft and realizing their late-night doom discussions were theatrical material.
- That immersion, plus research and conversations, became the seed for Doomers.
AI Served As Dramaturg Not Author
- Matthew used LLMs as a dramaturg: a consultant and plausibility checker rather than an author.
- He also inserted an LLM-generated allegory directly into the play to provide an authentic machine voice.



