133. Maps of Meaning 5: Story and Metastory 1

In 'Maps of Meaning: The Architecture of Belief', Jordan Peterson synthesizes insights from neuropsychology, cognitive science, and Jungian approaches to mythology and narrative. The book examines why people from different cultures and eras have formulated myths and stories with similar structures, and how these myths reflect fundamental aspects of human cognition and morality. Peterson argues that the human mind categorizes the world into known and unknown territories, and that myths and religious stories represent the eternal struggle between order and chaos. He also discusses the role of heroic figures in bridging these two realms and the importance of confronting the unknown to achieve personal and societal growth. The book is a comprehensive and interdisciplinary work that aims to make the wisdom of myth accessible to the modern mind[3][4][5].

In this book, Jordan B. Peterson offers twelve profound and practical rules for living a meaningful life. He argues that happiness is a fleeting and unpredictable goal, and instead, people should seek meaning as a defense against the suffering inherent in life. The book is divided into chapters, each representing one of the twelve rules, such as 'Stand up straight with your shoulders back,' 'Treat yourself like someone you are responsible for helping,' and 'Pursue what is meaningful (not what is expedient).' Peterson draws on examples from his clinical practice, personal life, cutting-edge psychology, philosophy, and ancient myths to provide a guide for personal improvement and coping with adversity.

Written in 1931 and published in 1932, 'Brave New World' is a dystopian novel set in a futuristic World State where humans are bred in vitro and predestined into a rigid social hierarchy. The novel explores themes of technological advancement, social conditioning, and the loss of individuality and freedom. The story revolves around characters such as Bernard Marx, an Alpha who questions the society, Mustapha Mond, the World Controller, and John, a 'Savage' from a reservation who introduces elements of emotion and individuality into the highly controlled World State. The novel critiques the optimism of technological progress and its potential to create a society that values stability and happiness over humanity and freedom[2][4][5].

In this book, Huxley recounts his first psychedelic experience with mescaline in May 1953. He describes how the drug altered his perception of the world, making ordinary objects and experiences take on profound aesthetic and philosophical significance. Huxley draws on various philosophical and spiritual traditions, including those of William Blake, Meister Eckhart, Plato, and Buddhism, to contextualize his insights. The book challenges conventional views on perception and reality, suggesting that certain substances can reveal deeper aspects of existence that are normally filtered out by the human brain's 'reducing valve'[1][2][4]