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New Books in LGBTQ+ Studies

Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)

Sep 9, 2023
Tingting Hu, author of 'Victims, Perpetrators and Professionals,' discusses the representation of women in Chinese crime films and the emergence of Chinese Boy's Love culture. She explores the societal pressure on women, the portrayal of female victims and professionals in crime films, and the use of violence as an aesthetic strategy. Hu also discusses the application of Western feminist theories to Chinese subjects of study and her current research projects on gender and sexuality.
33:07

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Podcast summary created with Snipd AI

Quick takeaways

  • The representation of female victims in Chinese crime films often objectifies women and reinforces male dominance, while the portrayal of female perpetrators highlights their forced use of violence or tragic ends.
  • Chinese boys love (BL) audio dramas provide a countercultural space for inclusive representations of relationships and gender expression, challenging mainstream norms and bridging the gap between the female-led BL subculture and the larger queer community in China.

Deep dives

Representation of Women in Chinese Crime Films

In this podcast episode, Ting Ting Hu discusses her book, 'Victims, Habitrators and Professionals: The Representation of Women in Chinese Crime Films.' She explores the different types of female characters typically depicted in these films, including victims, perpetrators, and professionals. Hu argues that the representation of female victims in Chinese crime films often objectifies women and reinforces male dominance. She also examines the portrayal of female perpetrators, highlighting how they are either portrayed as forced to use violence or face tragic ends. Additionally, Hu discusses the representation of female professionals, such as police women, who are portrayed as competent but ultimately constrained by male authority. Through her research, Hu reveals the influence of traditional Chinese values and social expectations on the portrayal of women in Chinese crime films.

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