New Books in LGBTQ+ Studies

In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods. For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message. The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

TransGenre (Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves. Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in South Atlantic Review, Women’s Studies Quarterly, the Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, and GLQ. Their first monograph, TransGenre, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature. Atalia Israeli-Nevo is an anthropology PhD student at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

How and why did public opinions about gay marriage shift? In his new book, The Gay Marriage Generation: How the LGBTQ Movement Transformed American Culture (New York University Press, 2018), Peter Hart-Brinson explores this question and more through public opinion data and interviews with two generations of Americans. By using these mixed methods of analysis, Hart-Brinson dissects generational change of attitudes toward gay marriage through interpretive, historical, and demographic analyses. This book contributes to the literature by building upon previous work and moving the discussion of generational change and attitudes forward. Concepts that are important for the book include differences between orientation and attraction, a difference in how the two generations Hart-Brinson interviewed speak about gay marriage. This book is accessible to a wide audience and will be of interest to family and public opinion scholars, as well as anyone interested in public attitudes or gay marriage specifically. This book would be a great addition to any graduate level course on families, as it gives a solid background of the history of the LGBTQ movement as well as attitudes shifts toward gay marriage.Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Socialist Subjectivities: Queering East Germany under Honecker (University of Michigan Press, 2025) works within the logics of queer time to reanimate East German subjectivities in the 1970s and 1980s beyond the narrative of the German Democratic Republic’s long march towards demise. While East Germany certainly ended in dissolution, not all East Germans experienced late socialism in a singular manner. Rather, even after a generation of building socialism, East Germans under Honecker continued to pursue a range of socialist presents and a multiplicity of socialist futures up to and beyond 1989. This edited volume utilizes queer temporalities to interrogate how individuals lived non-normative possibilities in a highly normative world. Whether one was an apparatchik, artist, or alcoholic, the everyday interactions, experiences, and rituals of late socialism proved crucial to establishing the conditions around which subjecthood was constructed. Despite stereotypes of apathy and inertia, East Germans lent a considerable dynamism to their society, and by generating a cacophony of opinions and a heterogeneity of ideas, they constantly transformed state socialism. By foregrounding socialist subjects and the iterative nature of socialism during these decades, this volume paints a richer portrait of East Germany—one that illuminates how East Germans imagined their futures in a society whose collapse they could not foresee. Scott Harrison (he/him) is a historian of modern European and global histories with a focus on LGBTQ+ histories. Scott is an award-winning educator of student-centered teaching in both secondary education and higher education. He currently works as a social studies teacher in the greater Boston area. Katharine White (she/her) is a historian of modern German history. Her research interests include German history in transnational perspective; international youth culture in the long-1960s; and the antecedents to and long-term impacts of Nazism globally. Katharine currently works in the museum-world of Washington DC while maintaining an active research agenda. Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Over the past 50 years, lesbian, gay, bisexual, transgender, and queer professionals have organized to achieve greater inclusion into the fields of science, technology, engineering, and mathematics (STEM). This inclusion, however, has come at a cost. In the 1970s, these professionals sought to radically transform STEM fields by confronting the homophobia and sexism embedded within them. Instead, these fields became more corporatized and privatized, and STEM institutions and workspaces—particularly in the spheres of government and business—became dominated by a focus on individualism, self-improvement/advancement, and meritocracy, which are hallmarks of neoliberalism. For many LGBTQ STEM professionals, inclusion now required becoming more apolitical, pro-capital, and focused on professional development.In Out Doing Science: LGBTQ STEM Professionals and Inclusion in Neoliberal Times (University of Massachusetts Press, 2025), Dr. Tom Waidzunas, Dr. Ethan Czuy Levine, and Dr. Brandon Fairchild explore this transformation of LGBTQ STEM professionals from oppositional outsiders to assimilationist insiders. Drawing on historical archives, oral interviews, and participant observation of professional societies and workspaces, the authors interrogate the meanings of “inclusion” and why some LGBTQ STEM professionals have benefited from it more than others. They also advocate for a “queer STEM” that challenges and transforms the racism, classism, sexism, cisheterosexism, and imperialism of these fields, institutions, and workspaces. Written in an accessible and engaging style, Out Doing Science will appeal to readers interested in LGBTQ studies, and science and technology studies, as well as anyone who wants to create a more diverse and inclusive work environment. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture. Jon Savage is the award-winning author of England’s Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006). Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion (Bloomsbury, 2025) by Dr. Kevin Guyan reveals how the fight for LGBTQ equalities in the UK is shaped – and constrained – by the classifications we encounter every day. Looking across six systems – the police and the recording of hate crimes; dating apps and digital desire; outness in the film and television industry; borders and LGBTQ asylum seekers; health and fitness activities; and DEI initiatives in the workplace – Rainbow Trap documents how inclusive interventions – such as new legislation, revamped diversity policies and tech fixes – have attempted to bring historically marginalized communities out of the shadows.Yet, as part of the bargain, LGBTQ people need to locate themselves in an ever-growing list of classifications, categories and labels to 'make sense' to the very systems they are seeking to access. This requirement to be classified catches LGBTQ communities in a rainbow trap. Because when we look beyond the welcoming veneer of inclusive interventions, we uncover sorting processes that determine what LGBTQ lives are valued and what queer futures are possible. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seventies.  Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies