We had the pleasure of interviewing SAUL over Zoom video!
Saul issue a call for connection in their music. The Iowa quartet—brothers Blake Bedsaul [lead vocals] and Zach Bedsaul [lead guitar, backup vocals], William McIlravy [bass, backup vocals], and Myles Clayborne [drums]—continue to bring audiences together with a one-two punch of precise and pummeling metallic grooves and towering magnetic melodies. Amassing tens of millions of streams and earning acclaim from Revolver, Guitar World, Loudwire, and many more, the group fortify an unbreakable bond with listeners on their second full-length offering, THIS IS IT…THE END OF EVERYTHING [Spinefarm].
Saul emerged out of the Midwest in 2017 and tirelessly bulldozed a path to the forefront of modern rock. They notably performed alongside everyone from Motionless In White, Atreyu, August Burns Red, Crown The Empire, Bush, and 10 Years to HELLYEAH and Nonpoint in addition to gracing the stages of festivals, including Rebel Rock, Rock Fest, Rock USA, Inkcarceration, and Blue Ridge Rock Fest with Rob Zombie, Mudvayne, and Slipknot. The group independently landed a bona fide hit in the form of “Brother”—an homage to the co-founders’ late brother Caleb. It marked their first #1 on Sirius/XM Octane in addition to gathering over 9 million Spotify streams and paving the way for their 2020 full-length debut, Rise As Equals. Co-written with David Draiman of Disturbed, “King Of Misery” reeled in 3.7 million Spotify streams, while “Trial By Fire” also surpassed 3 million Spotify streams. Of the former, American Songwriter praised“‘King of Misery’ wasted no time jumping into the heavy mainstream riffs that Saul set out to wrangle,” and Outburn hailed its “futuristic and cinematic video.”
Expanding the sonic palette, the guys collaborated with producer Kile Odell [Motionless In White, Nita Strauss] this time around.
They initially teased this chapter with “JACK & JILL,” which tempers a hypnotic harmony with a heavy groove. On its heels, they unleashed the single “A MILLION MILES.” Co-written with Johnny Andrews [Three Days Grace, Starset, Theory of a Deadman], a seesawing riff and electrifying melody give way to a chant-able chorus laced with raw emotion befitting of the central theme.
Hummable keys set the tone for “RUNAWAY,” dissolving into a harmonic riff. The breathy verses break like a wave on a refrain tailor-made for a live singalong, “Treat me like a runaway, because I’m vanishing. I don’t think I’ll be missed.”
An ominous sample snaps into a pummeling chug on the opener “TOOTH & NAIL.” Clean vocals snake through the verses towards a warning, “There’s no escape.”
Then, there’s “BETTER AS A MEMORY.” It swings between schizophrenic extremes highlighted by unpredictable instrumental dynamics and a heart-wrenching vocal performance, “Deep down you know, I’d be better as a memory.”
In the end, Saul create the soundtrack for breaking free.
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