
New Books Network Ulinka Rublack, "Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition" (CEU Press, 2025)
Dec 15, 2025
Ulinka Rublack, a historian of early modern Europe and professor at Cambridge, dives into the material culture of the Renaissance through the lens of Albrecht Dürer. She explores how elaborate clothing signified social status and constructed masculinity, particularly through cloaks in 16th-century art. Rublack highlights Dürer's self-portraits as bids for social recognition and discusses how bespoke garments reflected personal identity and global trade dynamics. Her insights reveal the intricate relationship between style and social relations during this transformative era.
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Cloth As Social Currency
- Clothing mediated social relationships and served as a form of currency in the Renaissance.
- Gifts of cloth framed life-cycle recognition from baptism to marriage and employment.
Self-Portraiture As Status Claim
- Dürer used repeated self-portraits to claim recognition and argue for the nobility of craftsmanship.
- Portraiture let him confront social status asymmetries between artisans and scholars.
Dürer's Commissioned Coats
- Dürer's Antwerp diary records commissioning an elaborate coat before returning to Nuremberg.
- He also drew specific designs for his wife's coat, showing hands-on garment planning.

