Episode #138: “Almost everything was propaganda,” Paing comments, reflecting on his childhood growing up in Yangon. His release came in the form of artistic expression through music, largely influenced by Western bands and singers. He describes his songs as being gloomy and melancholic, which also characterizes his feelings about the recent, turbulent events in his country.
Recently, however, Paing has been unable to write new music, nor even play his old tracks, because he is still recovering from the trauma of what he witnessed soon after the coup broke in Hlaing Thayar, his hometown. March 15, 2021, Paing watched from his rooftop balcony, as the military brutally assault protesters. Powerless, he saw people falling from injuries and others being killed outright, a memory which he feels has scarred him for life.
Paing has been disappointed by both the lackluster international support as well as the leadership of the NUG. With diplomacy failing, he hopes that resistance fighters having better access to weapons can also help. However, as someone who still believes in the principles of non-violence, he is conflicted on this issue, especially as he realizes that a post-Tatmadaw world must include those former soldiers. “You can’t kill everyone that opposes any new idea,” he notes. “You have to see things on a human level, instead of just using guns.”
Paing knows the way forward will not be easy. “Again, I'm a pessimist,” he says, laughing. “So I think everything that can go wrong, will go wrong. But the worst thing that could happen is the military winning.”