All Those Yesterdays: a lifelong conversation with poet-philosopher John Koethe
Nov 28, 2024
auto_awesome
Renowned poet and philosopher John Koethe discusses the intricate dance between poetry and philosophy. He delves into the idea of the oscillating self, bridging the gap between dichotomies. Reflecting on his journey from religion to a secular understanding of spirituality, he captures the essence of personal experience in artistic expression. The interplay of creativity, consciousness, and the beauty of existence emerges as key themes, alongside love and loss, highlighted through poetic structures that shape deep emotions.
John Koethe's concept of the oscillating self emphasizes that our identities are fluid, blending poetry and philosophy in an interconnected manner.
Koethe's lifelong balancing of poetic and philosophical identities illustrates how creative expression can inform and enrich intellectual pursuits.
His exploration of nostalgia in poetry reveals a deep connection between personal memories and landscapes, enhancing the emotional resonance of his work.
Deep dives
The Oscillation of Self
The concept of the self as an oscillation between different categories, such as poetry and philosophy, is a central theme in the discussion. John Catey illustrates that understanding oneself requires accepting that these categories are not fixed; instead, they are fluid and interrelated. This perspective encourages individuals to embrace the paradox of holding opposite ideas simultaneously, rather than choosing between them. By recognizing this movement within oneself, both in poetry and philosophy, one can glean deeper insights into the complexity of human experience.
Balancing Poetry and Philosophy
John Catey's life reflects a continuous effort to balance his dual identities as a poet and a philosopher, each influencing the other. Despite his academic career in philosophy, his passion for poetry has remained steadfast, showcasing how both forms of expression can coexist and inform each other. His friendships with notable poets like John Ashbery and Frank O'Hara further emphasize the interplay between these worlds, providing him with rich experiences that enhance his literary work. This balance not only enriches his poetry but also demonstrates the interconnectedness of creative expression and intellectual exploration.
The Role of Memory and Landscape
Catey’s poetry often evokes feelings of nostalgia, exploring the relationship between personal memories and external landscapes. He describes his poems as conjuring sensory experiences tied to childhood and personal history, allowing readers to connect with the emotions of specific places and moments. His reflections suggest that poetry serves as a medium through which memories can be revisited, reshaped, and shared. This exploration of memory through the lens of landscape reveals the depth of his work, suggesting that physical experiences are intricately linked to emotional and mental states.
The Influence of Romanticism
Romanticism emerges as a significant influence on Catey's work, particularly in how he expresses the sublime and the experience of being human. He emphasizes the tension between the subjective and objective viewpoints, showcasing how both perspectives can offer valid insights into reality. This interplay reflects the core of the romantic ideal, wherein the emotional and rational coexist in a mutually enriching dialogue. His wrestling with romantic notions reveals an ongoing quest for understanding within his poetry, as he acknowledges that modernism complicates traditional romantic affirmations.
The Nature of Consciousness
Catey reflects on the profound nature of self-consciousness and awareness as central themes in both his poetry and philosophy. He considers the miraculous aspect of being aware of one's existence, oscillating between feelings of insignificance and importance. This duality invites readers to contemplate their own consciousness and place in the universe, as it connects deeply to the larger questions of existence and identity. His exploration of these notions contributes to a greater understanding of the human experience, highlighting the beauty and complexity inherent in self-awareness.
Frank O'Hara, John Ashbery, Ludwig Wittgenstein, dualism, physics, and more. "John Koethe was born on December 25, 1945. He began writing poetry in 1964 during his undergraduate years at Princeton University and went on to receive a PhD in philosophy from Harvard University.
Koethe’s Ninety-fifth Street (Harper Perennial, 2009) won the 2010 Lenore Marshall Prize from the Academy of American Poets. He has published numerous other books of poetry, including Cemeteries and Galaxies (Farrar, Straus and Giroux, 2025); Walking Backwards: Poems 1966–2016 (Farrar, Straus and Giroux, 2018); The Swimmer (Farrar, Straus and Giroux, 2016); North Point North: New and Selected Poems (Harper Perennial, 2003), which was a finalist for the Los Angeles Times Book Prize; The Constructor (Harper Perennial, 1999); Falling Water (Harper Perennial, 1997), which won the Kingsley Tufts Award; Domes (Columbia University Press, 1974), which won the Frank O’Hara Award for Poetry; and Blue Vents (Audit/Poetry, 1968)."
Exploring the Intersection of Poetry and Philosophy with John Koethe In this episode of 'Love and Philosophy,' host Andrea interviews renowned poet and philosopher John Koethe. They discuss the concept of the oscillating self as a bridge between dichotomies, particularly within the realms of poetry and philosophy. John shares his journey from being a young poet influenced by figures like John Ashbury and Frank O'Hara, to earning a PhD in philosophy and balancing both disciplines throughout his career. They explore the themes of self-conversation in poetry, the intersection of scientific and artistic pursuits, and the enduring sense of awe in consciousness. The conversation also touches on the emotional landscapes of Koethe's poetry, including themes of nostalgia and the sublime. The episode concludes with a reading from Koethe's book 'Falling Water.'
00:00 Introduction to John Koethe 00:31 John Koethe's Background and Achievements 01:06 Balancing Poetry and Philosophy 03:45 Early Influences and Religious Upbringing 06:31 Transition to Literature and Philosophy 08:43 Discovering Modern Poetry 12:52 Meeting Influential Poets 21:23 Romanticism and Modernism in Poetry 23:46 Philosophical Dualism and the Mind-Body Problem 30:18 Modernism in Art, Literature, and Physics 33:27 Foundations of Quantum Mechanics 34:19 Exploring Perspectives in Poetry 35:43 Philosophical Influences and Oscillations 41:02 Conversations with Influential Thinkers 42:11 The Role of Conversation in Poetry 46:26 Philosophy vs. Poetry: Different Constraints 53:06 The Sublime and Self-Consciousness 58:41 Architecture and the Passage of Time 01:01:12 Concluding Thoughts and Future Works 01:02:56 Poetry Reading: The Realm of Ends