It's fair to say Soundtracking might not exist without Clint. That's because the genesis of the idea formed when Edith saw him performing his film scores at the Largo in Los Angeles back in 2012.
And 5 years later, here we all are!
After his band Pop Will Eat Itself disbanded in 1996, Clint was introduced to the business when Darren Aronofsky asked him to score Pi. The pair have collaborated several times since - as part of total body of work comprising around 50 films.
During the course of the conversation, you'll hear extended extracts of Clint's work on High Rise, Moon, Pi, Black Swan and Requiem For A Dream. But we begin in the iconic venue in which this interview took place - Air Studios in London - with the main theme from the very first score he recorded there ...
Soundtracking with Edith Bowman