Jonathan Glazer: Shooting his film at Auschwitz, the humanness of evil, and why he always knew he’d create a film about the Holocaust
Dec 18, 2023
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Jonathan Glazer, director of films such as Sexy Beast and Under the Skin, discusses shooting his film at Auschwitz, exploring the complexities of the Holocaust, filming in a duplicate of the Hoss house, and the use of sound to convey the experience of living near a concentration camp.
Jonathan Glazer wanted to shoot his film about the Holocaust at the Auschwitz concentration camp to highlight the banality of evil and the ease with which humans can follow dangerous ideologies.
The use of sound in 'The Zone of Interest' immerses the audience in the reality of the Holocaust, challenging desensitization and prompting reflection on our complicity in the suffering and violence around us.
Deep dives
Filming at Auschwitz: The Zone of Interest
The director, Jonathan Glaser, discusses his new film, The Zone of Interest, which tells the story of the Holocaust from the perspective of a German family that assisted in orchestrating the killings. The film was shot at the Auschwitz concentration camp, and Glaser explains how he wanted to shine a light on the banality of evil and the ease with which human beings can follow dangerous ideologies. He emphasizes the importance of understanding our capacity for violence and the need to demystify the idea that we are nothing like those who committed atrocities. The film uses sound to create a stark contrast between the everyday lives of the family and the screams and gunshots of the prisoners next door, prompting reflection on our own desensitization and moral disassociation.
The Lives of Workers at Auschwitz
Glaser delves into the lives of the workers at Auschwitz, particularly those who worked in the homes of the Nazis and their families. Through research and testimonies of survivors, he discovered that the workers ranged from prisoners who were gardeners to local Catholic girls who performed various household tasks. Glaser reflects on how the daily comings and goings and the banalities of domestic life in these homes reflect the similarities we share as human beings. By highlighting the shared dreams, aspirations, and even arguments within the household, he aims to demystify the idea that we are fundamentally different from those who committed atrocities.
The Power of Sound in The Zone of Interest
Glaser emphasizes the importance of sound in his film, stating that there are two films being conveyed: one that is seen and one that is heard. He deliberately avoids reenacting the visual horrors associated with the Holocaust and instead construct a world of sound that immerses the audience in the reality of the events. By using realistic sounds like screams and gunshots from that time period, he aims to evoke a deeper emotional response and challenge the audience's desensitization to such atrocities. Glaser also discusses how sound allows for interpretation and creates a sense of complicity, encouraging the audience to reflect on how easily we tune out the suffering and violence happening around us, both in the past and in the present.
In his new film, “The Zone of Interest,” director Jonathan Glazer (Sexy Beast, Birth, Under the Skin) gives audiences a horrifying look at a German commandant and his family living just outside the walls of Auschwitz. Jonathan tells Tom why he wanted to shoot a film about the Holocaust at the site of an actual concentration camp, what he wanted to say about evil and humanity, and how the use of sound in this film told a whole other story.
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