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Jonathan Glazer: Shooting his film at Auschwitz, the humanness of evil, and why he always knew he’d create a film about the Holocaust

Q with Tom Power

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Living with the Horrors Next Door

The chapter explores the use of sound in a film about the Holocaust, reflecting on the contrast between visuals and sound to convey the experience of living near a concentration camp. The speaker also discusses desensitization and moral proximity, and the ongoing presence of these themes in society.

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