Is Hollywood’s New ‘Magical, Colorblind Past’ a Good Thing?

Recent Hollywood films and TV shows have taken to presenting a “Magical Multiracial Past,” according to filmmaker Kabir Chibber in a recent New York Times Magazine article. It’s a past where “every race exists, cheerfully and seemingly as equals, in the same place at the same time. History becomes an emoji, its flesh tone changing as needed.” Some of the backlash to so-called colorblind casting has been outright racist. But some of the pushback has come from artists of color who feel uncomfortable with utopic depictions that erase the racism of past eras. As Chibber argues, “the problem, for viewers, isn’t wokeness run amok; it’s the incoherence of the world we are watching.” We’ll talk about the benefits and drawbacks of colorblind and color-conscious casting — and the uncomfortable truths it forces us to address.

Guests:

Kabir Chibber, writer and filmmaker

Brandon David Wilson, writer; educator; filmmaker

Maurice Emmanuel Parent, actor, director and professor of Theatre, Dance, and Performance Studies, Tufts University

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