
New Books Network Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)
Jan 2, 2026
Megha Anwer, a theorist of literature and visual culture, and Anupama Arora, a professor specializing in women's studies, delve into the complex interplay between Hindi cinema and neoliberalism. They discuss the shift from the exuberance of the 1990s to a reality rife with insecurity and cultural crises. Key topics include the depiction of marginalized identities in film, the impact of censorship and social media, and how films like cop dramas reflect state violence. Their analysis reveals how Bollywood mirrors societal precarity, transforming crisis narratives into cultural commentary.
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Precarity As A Historical Condition
- Precarity is a historically specific condition produced by neoliberalism intersecting with existing vulnerabilities.
- The book studies how post-2010 Hindi films mediate precarity and reveal shifts in India's political-cultural landscape.
Rihanna Tweet Sparked Industry-State Sync
- Megha Anwer recounts the 2021 Rihanna farmers' protest tweet and Bollywood's synchronized backlash led by Kangana Ranaut.
- The episode shows Bollywood and the state aligning to police narratives about India's precarities.
Space Links Muslims And Criminality
- Contemporary Bollywood spatializes Muslim precarity by conflating Muslims with slum geographies and criminality.
- This fusion enables a right-wing synergy targeting both Muslims and the urban poor.
