An archival decolonist walks into a colonial institution, and dreams up a whole new paradigm for cultural heritage.
Today on Archive Fever, Wiradjuri librarian and museum educator Nathan Sentance illuminates the challenges and possibilities of bringing Indigenous epistemologies and voices into the GLAM sector.
Why is it vital to close the gap between First Nations lived experience and the white-dominated written record? How can institutions move away from old models of colonial extraction, and instead build up First Nations collections via authentic collaboration and consent? And why are art and creativity key to making this thing we call ‘decolonisation’ actually happen?