David Robertson is a rare conductor who unites avant-garde complexity with accessibility. After serving as music director of the Ensemble Intercontemporain, Pierre Boulez’s storied contemporary-music ensemble, he went on to rejuvenate the St. Louis Symphony. Robertson combines a fearless approach to challenging scores with a deep empathy for audiences.

Tyler and David explore Pierre Boulez's centenary and the emotional depths beneath his reputation for severity, whether Boulez is better understood as a surrealist or a serialist composer, the influence of non-Western music like gamelan on Boulez's compositions, the challenge of memorizing contemporary scores, whether Boulez's music still sounds contemporary after decades, where skeptics should start with Boulez, how conductors connect with players during a performance, the management lessons of conducting, which orchestra sections posed Robertson the greatest challenges, how he and other conductors achieve clarity of sound, what conductors should read beyond music books, what Robertson enjoys in popular music, how national audiences differ from others, how Robertson first discovered classical music, why he insists on conducting the 1911 version of Stravinsky's Petrushka rather than the 1947 revision, and more.

Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel.

Recorded March 12th, 2025.

Help keep the show ad free by donating today!

Other ways to connect

Follow us on X and Instagram
Follow Tyler on X
Sign up for our newsletter
Join our Discord
Email us: cowenconvos@mercatus.gmu.edu
Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

Photo Credit: Chris Lee

Erik Podzuweit: Neues Geld, Derivate & mehr - das Scalable-Update