In this engaging discussion, Jonathan Abrams, a Times reporter focused on national culture news, sheds light on breaking's historic entry into the Olympics. He delves into the dance's roots in the Bronx during the 1970s and its evolution as a legitimate sport, celebrating its cultural significance. Abrams shares insights into the mixed emotions of the breaking community, with excitement for broader recognition but concerns over preserving its cultural identity. He explores how competitors are gearing up for Paris 2024, merging hip-hop artistry with athleticism.
Breaking's Olympic debut signifies a significant milestone for the dance form, aiming to engage a younger audience and revitalize viewership.
Concerns arise within the breaking community about preserving its cultural roots and spirit amid the commercialization and formal competition of the Olympics.
Deep dives
Breakdancing's Olympic Debut
Breaking, commonly known as breakdancing, will make its Olympic debut at the Paris 2024 Games, marking a significant milestone for the sport. This addition aims to engage a younger audience as part of the International Olympic Committee's strategy to revitalize viewership that has been declining in recent years. The integration of breaking alongside traditional sports like basketball and gymnastics illustrates a shift toward more diverse and contemporary forms of competition. Despite its newfound status, there are concerns within the breaking community about whether this sport can truly be appreciated and represented in the context of the Olympics.
Cultural Roots and Authenticity
The origins of breaking are deeply rooted in the socio-economic struggles of the Bronx during the 1970s, where it served as a powerful form of expression for marginalized communities. This cultural significance raises questions about how breaking will be represented on such a grand stage, and whether it will retain its authentic roots or become merely a competitive sport. Many pioneers of breaking worry that the commercialization and standardization required for Olympic competition could strip away the essence of what breaking truly represents. The concern is that the spirit of the art form, which encompasses creativity and self-expression, might be overshadowed by the rigid structures of formal competition.
Competition Format and Future Prospects
At the Paris Games, breaking will feature 16 male and 16 female competitors, evaluated by judges based on criteria such as technique, originality, and musicality. This structured judging system signals a shift from the spontaneous nature of traditional breaking battles, leading to worries about how the culture's expressive elements will be preserved. Additionally, prominent figures within the breaking community have expressed skepticism about the World Dance Sport Federation's oversight, as they feel disconnected from the street origins of the sport. Nonetheless, the exposure at the Olympics could potentially inspire a new generation of breakers globally, broadening the art form's reach and influence.
More than 50 years after its inception, “breaking” — not “break dancing,” a term coined by the media and disdained by practitioners — will debut as an Olympic sport.
Jonathan Abrams, who writes about the intersection of sports and culture, explains how breaking’s big moment came about.
Guest: Jonathan Abrams, a Times reporter covering national culture news.
Background reading:
The Olympic battles in breaking will be a watershed moment for a dance form conceived and cultivated by Black and Hispanic youth in the Bronx during the 1970s.
For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
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