Ep. 200 - Tucker S. Ferda "Jesus and His Promised Second Coming" pt. 1

Join host John Williamson in this enlightening episode of the Deconstructionist Podcast as he sits down with Tucker Esferda, Associate Professor of New Testament at Pittsburgh Theological Seminary. Tucker shares insights from his new book, "Jesus and His Promised Second Coming: Jewish Eschatology and Christian Origins," offering a thought-provoking discussion on the historical Jesus, eschatology, and the origins of Christian beliefs.

Discover how centuries-old interpretations and habits of reading shape our understanding of biblical texts and how modern scholarship is shedding new light on ancient beliefs. The episode also promises a trip down memory lane with a planned re-release of classic, Christmas-themed episodes that capture the essence of the season. Tune in for part one of this captivating conversation as John and Tucker challenge commonly held assumptions and invite listeners to reconsider what they believe about Jesus' second coming and its implications in both ancient and contemporary contexts.

 

Guest/Bio:

This week I welcome Dr. Tucker S. Ferda! We talk about his brand new book, "Jesus and His Promised Second Coming: Jewish Eschatology and Christian Origins" and what the New Testament has to say about Jesus return. 

Tucker is associate professor of New Testament at Pittsburgh Theological Seminary. His research interests include the Gospels, the history of New Testament research, Second Temple Judaism, eschatology, and hermeneutics. 

 

Guest (Selected) Works: Jesus, the Gospels, and the Galilean Crisis; Jesus and His Promised Second Coming: Jewish Eschatology and Christian Origins

 

Special Theme Music:

Forrest Clay

X: @clay_k

Instagram: @forrestclaymusic

YouTube: www.youtube.com/claykmusic

 

Enjoy the music?

Songs used on this episode were from the Recover EP

You can find Clay’s music on iTunes, Apple Music, Spotify, YouTube, or anywhere good music can be found!

 

This episode of The Deconstructionists Podcast was edited, mixed, and produced by John Williamson

 

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