Episode 1596 - Luca Guadagnino

In 'The Machine', Joe Posnanski chronicles the 1975 season of the Cincinnati Reds, often referred to as the Big Red Machine. The book delves into the larger-than-life personalities of players like Pete Rose, Joe Morgan, and Johnny Bench, as well as other key team members such as Tony Perez, Davey Concepcion, and Ken Griffey Sr. Posnanski explores the team's dominant performance throughout the season and their dramatic World Series against the Boston Red Sox, particularly the epic Game 6. The book humanizes the players and provides insights into their motivations, struggles, and the team's overall dynamic under manager Sparky Anderson.

In 'The Cat Inside,' William S. Burroughs, a renowned cat lover, reminisces about the many cats that have been part of his life. The book is an autobiographical novella illustrated by Brion Gysin, a frequent collaborator of Burroughs. It explores themes of life, death, and the deep connections between humans and animals, particularly cats. The novella was first published in a limited edition of 133 copies by Grenfell Press in 1986 and later reissued by Viking Press in 1992.

This collection of essays by William S. Burroughs spans three decades and includes a diverse range of topics such as literary criticism, autobiographical sketches, and commentary on science and society. Burroughs provides candid assessments of various writers, including Ernest Hemingway, F. Scott Fitzgerald, Joseph Conrad, and Samuel Beckett. He also discusses his famous 'cut-up' method, the role of coincidence in his life and work, and offers insights into his philosophical and artistic concerns. The essays are known for their wit, satire, and Burroughs's unique perspective on human existence and modern society.

In 'The Western Lands', Burroughs draws heavily on ancient Egyptian mythology, where the Western Lands are the realms where those granted immortality by the gods are received. The novel follows a cast of characters, including Joe the Dead, Kim Carsons, and Hassan i Sabbah, as they navigate a universe filled with danger and otherworldly beauty. The book is characterized by its non-linear plot, vignette-style storytelling, and a mix of fantasy, science fiction, and philosophical themes. It also includes diary sections detailing Burroughs' personal experiences and reflections on literature and life.

Published in 1959, 'Naked Lunch' is a highly symbolic and surreal novel that follows the character William Lee, a heroin addict, as he navigates through various locations including New York, Mexico, and the fictional city of Interzone. The book is structured as a series of non-chronological 'routines' that blur the lines between reality and fantasy. It critiques societal norms, drug culture, and the mechanisms of control, using vivid and often disturbing imagery. The novel was the subject of obscenity trials due to its explicit content but was ultimately cleared of charges, recognizing its literary and social importance.

Published in 1981, 'Cities of the Red Night' is the first book in William S. Burroughs' Red Night Trilogy. The novel follows a nonlinear narrative that spans different time periods and locations. It includes a story about a group of libertarian pirates in the 18th century, led by Captain James Misson, who establish a free city in Panama based on 'The Articles' of freedom. In the late 20th century, a detective named Clem Snide investigates the disappearance of an adolescent boy, which leads to a complex web of ritualistic sex murders and an apocalyptic agenda. The book also explores themes of disease, particularly a virus known as 'Red Fever' or 'Virus B-23', and delves into Burroughs' characteristic themes of freedom, nonconformity, and the critique of societal norms.

The Place of Dead Roads is the second book in a trilogy that includes 'Cities of the Red Night' and 'The Western Lands'. The novel begins with the death of Kim Carsons, a gay gunfighter, in a 1899 Colorado shootout. The story unfolds non-linearly, incorporating time travel and science fiction elements. It features vivid imagery, repetition, and a unique style characteristic of Burroughs' work. The book satirizes classic American western themes and explores broader issues such as the State, the Church, and the quest for immortality. Kim Carsons leads a movement known as 'The Johnson Family', a group of outlaws fighting against authority and preparing humanity for an evolutionary leap into space.