
In Our Time
Vase-mania
Jan 23, 2025
In this engaging discussion, writer Jenny Uglow, urban history professor Rosemary Sweet, and art lecturer Caroline McCaffrey-Howarth explore the fascinating phenomenon of 'vase-mania' in 18th-century Britain. They delve into the societal shifts as antique vases became symbols of status and cultural capital amidst the rise of the middle class. The conversation highlights Josiah Wedgwood’s innovations in pottery, the allure of Greek antiquity, and the relationship between classical aesthetics and modern design, revealing how these influences shaped tastes and identities.
56:27
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Quick takeaways
- 'Vase-mania' was driven by archaeological discoveries and shaped public interest in classical antiquity amidst social change in late 18th-century Britain.
- Josiah Wedgwood revolutionized vase production, making classical beauty accessible to the emerging middle class through innovative techniques and designs.
Deep dives
The Rise of Vase Mania
In the late 18th century, the British public experienced a surge in interest in classical antiquity, leading to what became known as 'vase mania.' This phenomenon was fueled by archaeological discoveries in places like Pompeii and Herculaneum, igniting curiosity about Greek and Etruscan cultures. Aristocrats initially led the charge in collecting vases modeled after ancient designs, which Josiah Wedgwood later commercialized for the emerging middle class. These vases not only served as decorative pieces but also came to symbolize refined taste and the ideals of European civilization during a time of social upheaval.
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