Sara Marcus discusses political disappointment as untimely desire, not disillusionment, highlighting mourning, determination, and creativity. They explore musical archives from W.E.B. DuBois to David Wojnarowicz, touching on utopianism and Melanie Klein. The conversation delves into the traps of political subjectivity with references to Fleetwood Mac and Tracy Chapman.
Political disappointment involves a complex relationship towards objects, offering opportunities for mourning, determination, and creativity.
Leadbelly's expressive work songs, like 'Take This Hammer,' reflect a deep emotional resonance and collective struggle in labor experiences.
Sara Marcus integrates sonic objects into textual narratives, enhancing the exploration of political disappointment through sensory experiences.
Deep dives
Du Bois' Exploration of Political Disappointment
Du Bois delves into the aftermath of Reconstruction, highlighting the shadow of disappointment that lingers among Black Americans. He examines the shifting desires post-emancipation and how the quest for progress evolves over time. Delving into the music of sorrow songs, he grapples with the balance between progress and sorrow, emphasizing the coexistence of hope amid disappointment. By incorporating music into his narrative, Du Bois captures the multifaceted nature of political aspirations and their complex outcomes.
Vocal Expressions of Discontent by Leadbelly
The chapter on Leadbelly explores the impact of his expressive work songs, notably 'Take This Hammer,' where he introduces vocalized sounds synonymous with labor. This addition reflects a deeper layer of emotional resonance and collective struggle within his music. Leadbelly's incorporation of these vocal expressions signifies a poignant connection to labor experiences and the challenges faced within societal constructs, adding a profound dimension to his musical storytelling.
Significance of Sonic Objects in Textual Narratives
Sarah Marcus intricately weaves sonic objects into her textual narratives, expanding the depth of historical and cultural analyses. By incorporating music, transcriptions, and soundscapes, Marcus unveils a rich tapestry of experiences and emotions that resonate through the chapters. These sonic elements enhance the exploration of political disappointment, offering a sensory journey that delves into the complexities of human aspirations, struggles, and resilience.
Exploring the Significance of Transcription in Music and Literature
The podcast delves into the importance of transcription in music and literature, highlighting its role in connecting diverse elements within a project. By focusing on the challenges faced in transcribing non-verbal sounds in folk songs and novellas, the podcast uncovers how transcription acts as a pivotal link that integrates various artistic expressions.
Reflections on Political Disappointment and Resilience
The episode navigates through the complexities of political disappointment and its relevance in current times. Through discussions on disappointment, despair, and historical context, the podcast presents a nuanced perspective on maintaining faith in the face of ongoing challenges. It emphasizes the concept of a 'good enough political subjectivity' as a sustainable approach that combines attachment to objects, relational dynamics, and adaptive political engagement.
Abby and Patrick are joined by academic, journalist, and critic Sara Marcus, author of the 2023 book Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis. After recalling their own experiences of political letdowns – infantile, adolescent, and all-too-recent – they explore how Sara’s notion of disappointment as “untimely desire” involves something other than disillusionment or a loss of faith. Rather, as Marcus explains, disappointment involves an ongoing relationship towards an object, and can be a simultaneous opportunity for mourning, determination, creativity, and more. They unpack experiences of such disappointment across the twentieth century, tracking in particular their musical and audio archives – from the “Sorrow Songs” studied by W.E.B. DuBois to the exquisite nonverbals of Lead Belly to the monologues and Tracy Chapman bootlegs recorded by the artist and AIDS activist David Wojnarowicz. And they also get into the traps of utopianism, Melanie Klein, and the possibility of a “good enough” political subjectivity, with cameos by Fleetwood Mac, Bon Jovi, Peter Paul & Mary, and more along the way.
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