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In 1937, Pablo Picasso unveiled his iconic painting, Gernika, at an exhibition in Paris. The painting was inspired by the bombing of the Basque town of Gernika by Nazi Germany planes during the Spanish Civil War, a tragic event that Picasso captured in his work.
The Spanish Civil War was sparked by a military coup in July 1936, led by factions unsupportive of the left-wing Republic government. The coup reflected deep societal divisions, with the Republicans and Nationalists engaged in a power struggle. These tensions led to a fragile Republic facing challenges in governance and handling political factions.
General Franco's ascent in the Nationalist forces was fueled by his command over experienced colonial troops and ambitious leadership. Franco's strategic control over battle-hardened troops and fortunate circumstances, including rivals' deaths, propelled him to the forefront of the Nationalist movement during the Spanish Civil War.
Picasso's political awakening during the Spanish Civil War saw him creating impactful art as a form of protest. While living in Paris, Picasso's encounters with fascist influences heightened his awareness of political developments. The Gernika painting, commissioned to depict the horrors of war, showcased Picasso's rapid response and political commitment.
The bombing of Gernika left a deep scar, with conflicting narratives attempting to distort the truth. Despite nationalist attempts to cover up the atrocity, eyewitness reports and Picasso's painting ensured the world would remember the tragic event. Picasso's Gernika painting became a symbol of protest against war atrocities and gained global recognition for its powerful depiction.
Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.
With
Mary Vincent Professor of Modern European History at the University of Sheffield
Gijs van Hensbergen Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies
and
Dacia Viejo Rose Lecturer in Heritage in the Department of Archaeology at the University of Cambridge Fellow of Selwyn College
Producer: Simon Tillotson.
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