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Mariana Ortega, "Carnalities: The Art of Living in Latinidad" (Duke UP, 2024)

Dec 16, 2025
Mariana Ortega, Associate Professor at Penn State, explores deep connections between art and Latinx identity in her work, "Carnalities: The Art of Living in Latinidad." She discusses carnal aesthetics, highlighting how intimacy influences perception and reshapes artistic practices. Ortega emphasizes the role of photography in engaging with themes of mourning and colonialism. By listening to photographs, especially those documenting migration, she delves into their emotional weight and communal significance. The conversation emphasizes art's power to transform and remember.
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ANECDOTE

Intellectual Reorientation Toward Latina Feminism

  • Mariana Ortega recounts reading Camus and Heidegger in school and later discovering Latina feminist thinkers that transformed her approach to philosophy.
  • This intellectual reorientation led her to blend phenomenology with Latina feminism in her earlier book In Between and in Carnalities.
INSIGHT

Aesthetics As Embodied Attunement

  • Ortega reframes aesthetics as embodied perception, not disinterested contemplation, tying art to sensory attunement and life improvement.
  • She defines the 'carnal' as the intimacy between perceiver and perceived that grounds creative practices for survival and transformation.
INSIGHT

Photography And The Colonial Gaze

  • Ortega treats the colonial gaze and photography as co-constitutive: photographic technologies have historically contributed to racialized ontologies.
  • She argues that artworks and aesthetic experience can reconfigure perceptual habits and affective modalities that sustain racism.
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