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From a young age, Steven Spielberg displayed an unwavering commitment to filmmaking, creating movies from a very young age and showing unparalleled dedication. Spielberg's journey, starting with his early film Firelight and leading to his prolific career, highlighted his singular focus on his passion for directing and storytelling.
Spielberg's success was influenced by mentors like Chuck Silver and collaborators such as George Lucas and Martin Scorsese, who provided guidance and inspiration. These individuals fueled Spielberg's drive and challenged him to push the boundaries of his creativity. The supportive network of like-minded filmmakers encouraged Spielberg to excel and continuously strive for greatness.
Spielberg's approach to learning about filmmaking was through personal curriculum and professional research, immersing himself in the practical aspects of the craft. He engaged in hands-on experiences, seeking advice, and learning directly from industry professionals. This self-directed learning style allowed Spielberg to acquire real-world skills and knowledge essential for his growth as a filmmaker.
One of the enduring lessons from Spielberg's journey is the importance of paying forward mentorship and support. Spielberg's commitment to helping aspiring filmmakers and sharing his knowledge reflects his gratitude for the opportunities he received. Emphasizing the significance of supporting the next generation, Spielberg upholds a legacy of mentorship and collaboration in the film industry.
It is a natural human instinct to pass on knowledge and opportunities to the next generation after benefiting from them. This idea is highlighted through an anecdote involving Steven Spielberg's promise to mentor and support young talent in the industry.
Steven Spielberg's commitment to giving back to the industry is echoed in his interactions with aspiring directors, writers, and producers, where he creates opportunities and offers support. This commitment stems from his own experience of learning from mentors and the importance of continuous learning and mentorship.
Spielberg's ability to work quickly and efficiently is attributed to his longstanding collaborations with a core team of professionals. By fostering long-term relationships with collaborators, he emphasizes the benefits of accumulated knowledge and effective communication over time, which in turn enhances productivity and creativity in filmmaking.
Spielberg's journey includes setbacks, such as initial rejection and self-doubt, showcasing the importance of resilience and perseverance in the face of failures. His experiences with projects like 'Sugarland' highlight the transformative effect of turning failures into opportunities for growth and eventual success, exemplified by the groundbreaking achievement of 'Jaws' following initial setbacks.
What I learned from reading Steven Spielberg: A Biography by Joseph McBride.
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Episode Outline:
Whatever is there, he makes it work.
Spielberg once defined his approach to filmmaking by declaring, "I am the audience."
"He said, 'I want to be a director.' And I said, 'Well, if you want to be a director, you've gotta start at the bottom, you gotta be a gofer and work your way up.' He said, 'No, Dad. The first picture I do, I'm going to be a director.' And he was. That blew my mind. That takes guts."
One of his boyhood friends recalls Spielberg saying "he could envision himself going to the Academy Awards and accepting an Oscar and thanking the Academy.” He was twelve.
He was disappointed in the world, so he built one of his own.
Spielberg remained essentially an autodidact. Spielberg followed his own eccentric path to a professional directing career. Universal Studios, in effect, was Spielberg's film school. Giving him an education that, paradoxically, was both more personal and more conventional than he would have received in an academic environment. Spielberg devised what amounted to his own private tutorial program at Universal, immersing himself in the aspects of filmmaking he found most crucial to his development.
At the time he came to Hollywood, generations of nepotism had made the studios terminally inbred and unwelcoming to newcomers. The studio system, long under siege from television, falling box-office receipts, and skyrocketing costs, was in a state of impending collapse.
When Steven was very discouraged trying to sell a script and break in, he always had a positive, forward motion, whatever he may have been suffering inside.
In the two decades since Star Wars and Close Encounters were released, science-fiction films have accounted for half of the top twenty box-office hits. But before George Lucas and Spielberg revived the genre there was no real appetite at the studios for science fiction. The conventional wisdom was science-fiction films never make money.
Your children love you. They want to play with you. How long do you think that lasts? We have a few special years with our children, when they're the ones who want us around. So fast, it’s a few years, then it's over. You are not being careful. And you are missing it.
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