In *The Anatomy of Racial Inequality*, Glenn Loury presents a compelling analysis of racial inequality in America, arguing that the problem is not just discrimination but rather racial stigma. He advocates for policies that address this stigma and promote race-egalitarianism over race-blindness. The book offers a fresh perspective by integrating insights from economics, sociology, and social psychology to understand the persistent social and economic disadvantages faced by African Americans.
In 'A Theory of Justice,' John Rawls develops a moral theory of justice as fairness, which is an alternative to utilitarianism. The theory is based on the social contract approach and uses the concept of the original position and the veil of ignorance to derive two principles of justice. The first principle, the greatest equal liberty principle, ensures that each person has an equal right to the most extensive total system of equal basic liberties compatible with a similar system of liberty for all. The second principle, which includes the difference principle and the equal opportunity principle, states that social and economic inequalities are to be arranged so that they are to the greatest benefit of the least advantaged and attached to offices and positions open to all under conditions of fair equality of opportunity. Rawls's theory aims to reconcile liberty and equality in a well-ordered society.
James Joyce's "A Portrait of the Artist as a Young Man" is a semi-autobiographical novel that follows the intellectual and artistic development of Stephen Dedalus, a young man growing up in Dublin at the turn of the 20th century. The novel explores Stephen's journey of self-discovery, his struggles with religious faith, and his burgeoning artistic ambitions. Joyce's masterful use of language and stream-of-consciousness technique captures the complexities of Stephen's inner life, his emotional turmoil, and his artistic awakening. The novel is considered a masterpiece of modernist literature, its themes of self-discovery and artistic creation continue to resonate with readers today. It's a coming-of-age story that delves into the complexities of identity and artistic expression.
In 'The Content of Our Character: A New Vision of Race in America', Shelby Steele critiques affirmative action and argues for a self-reliant approach within the African American community. He emphasizes the need for individuals to succeed based on their own merits rather than relying on government programs or societal preferences. Steele's work challenges traditional civil rights advocacy and highlights the complexities of racial identity and responsibility in America.
Between the World and Me is a personal and literary exploration of America's racial history. Written as a series of letters to his 15-year-old son, Samori, Ta-Nehisi Coates reflects on his own experiences growing up in Baltimore, his education at Howard University, and his career as a journalist. The book delves into the realities of being Black in America, including the historical and ongoing impacts of slavery, segregation, police brutality, and mass incarceration. Coates shares personal anecdotes and historical insights to prepare his son for the challenges he will face as a Black man in America, while also offering a broader critique of American society and its treatment of Black bodies. The book is a powerful and emotional exploration of identity, history, and the struggle for racial justice[2][3][4].
In 'The Message', Ta-Nehisi Coates delves into the intersections of race, power, and identity through three intertwining essays. The book is part memoir, part travelogue, and part writing primer. Coates reflects on his visits to Dakar, Senegal, where he grapples with his Afrocentric roots; Columbia, South Carolina, where he examines the backlash against historical reckoning and book banning; and Palestine, where he critiques nationalist narratives and their impact on reality. The book emphasizes the urgent need to untangle destructive myths and embrace difficult truths to create a more just future.
The Manhattan Institute, a conservative think tank, ended its relationship with noted Brown University economist Glenn Loury after he was critical of Israel's actions in Gaza. The cancelation followed an appearance from fellow Brown professor and Israeli historian Omar Bartov on his podcast, during which Bartov offered an analysis of the Gaza genocide that reflected international consensus on Israeli violations of international law. Professor Loury joins Briahna Joy Gray for a must-watch two hour discussion in which Loury reflects on his career as a Black conservative, Ta-Nehesi Coates' book The Message, and the fact that his own Blackness informs his sympathetic attitude toward the Palestinian people. Does identity matter after all? As conservatives attempt to strip funding from the National African American History Museum and obstruct educators from teaching diverse histories, does Loury have any regrets about supporting attacks on "woke" pedagogy? Also, Loury debriefs on his viral interview with Tucker Carlson, and how his lefty wife has helped him to become more establishment in recent years.
Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).