Journalist Evan Hughes discusses his book 'Pain Hustlers' on the opioid epidemic, Hollywood adaptations, and investigative reporting. He shares insights on criminal justice challenges, weight management innovations, and intriguing storytelling techniques. Hughes also talks about uncovering corporate misconduct in the pharmaceutical industry and navigating the Hollywood adaptation process. He emphasizes the importance of curiosity and optimism in the media industry.
Evan Hughes focuses on in-depth, fact-checked storytelling in his slow-form journalism approach.
Exploring the darker sides of industries, Hughes transitions from literary to investigative reporting.
Reflecting on the challenges, Hughes discusses the impact of Hollywood adaptations on journalistic integrity.
Deep dives
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Evan Hughes's Background and Career Beginnings
Evan Hughes shares his journey into journalism, starting with his early job at a political magazine called The New Leader and later working at the New York Review of Books. He transitioned from literary writing to investigative reporting, delving into captivating stories that revealed the darker sides of industries.
The Challenges of Reporting on White Boy Rick
Evan Hughes recounts his experience in reporting on White Boy Rick, detailing the complexities of the story and the investigative process. He discusses the challenges of balancing the sensitive nature of the subject, the legal implications, and the ethical considerations in storytelling.
Journalism and Hollywood Interactions
Evan Hughes reflects on the intersection of journalism and Hollywood, highlighting the complexities and challenges that arise when investigative stories are adapted into movies. He discusses the implications of these adaptations on the integrity of journalistic work and the dynamics between the two industries.
Evan Hughes is a journalist whose work has appeared in The New York Times Magazine, GQ, The Atlantic, The Atavist and many others. His book, just out in paperback, is Pain Hustlers: Crime and Punishment at an Opioid Startup.
“It should be called slow-form journalism…. It is heavily edited. It’s heavily fact checked. And chances are, you’re not going to be the first. Maybe you’re going to be first to reveal some piece of it. I have made peace with like, I’m not the scoop guy. I’m the person who comes in and I’m good at telling the story in a thorough and deep way.”