
In Our Time Shakespeare's Sonnets (Archive Episode)
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Jan 1, 2026 Emma Smith, a Professor of Shakespeare Studies, Hannah Crawforth, a Senior Lecturer in Early Modern Literature, and Don Paterson, a Poet and Professor of Poetry, delve into the intricacies of Shakespeare's Sonnets. They explore the significance of the 1609 publication, the unique emotional resonance of the sonnet form, and the enigmatic identities of figures like the Dark Lady. Insightful discussions include Sonnet 116's paradoxes, the brutal honesty of Sonnet 129, and the impact of changing critical tastes over time, highlighting how these works have been rediscovered and reinterpreted.
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1609 Publication Reflects Late Assembly
- The 1609 publication places the sonnets among Shakespeare's late works but many were written much earlier.
- Emma Smith suggests Shakespeare assembled an older, long-gestating body of sonnets into a collected sequence.
Monarch Change Shifted Love Objects
- The shift from Elizabeth to James altered courtly dynamics and male friendships, changing sonnet subjects.
- Emma Smith argues Shakespeare may have 'rebooted' the sonnet tradition to fit Jacobean male-friendship cultures.
Use The Sonnet's Built-In Volta
- Use the sonnet's tight fourteen-line frame to force a logical movement and a dramatic turn.
- Don Paterson highlights the sonnet's built-in 'volta' around line eight as a device to reinvigorate the poem's argument.

