Best magazine editor Adam Moss discusses the power of magazines, creative disruption in journalism, the rise and fall of iconic publications, the impact of the Internet, and the evolution of storytelling in the digital age.
Magazines serve as transformative platforms for storytelling and connect emotionally with readers through diverse voices and design elements.
Artists like Cheryl Pope use personal experiences to transform pain into meaningful artistic expressions, showcasing the therapeutic power of creativity.
Deep dives
Adam Moss' Fascinating Journey Through Magazines
Adam Moss discusses his career starting from the Village Voice to creating and editing magazines like Esquire and the New York Times Magazine. He reflects on the transformative power of magazines as platforms for storytelling and the dynamic interplay of various voices, subjects, and design elements in creating a cohesive and engaging publication. Moss highlights the importance of making thoughtful editorial choices and crafting a magazine as a living organism that connects with readers on both intellectual and emotional levels.
Cheryl Pope's Artistic Journey Through Trauma
Cheryl Pope, a Chicago-based artist, embarks on a painting project titled 'Mother on a Blue Mat' as a response to her experiences with miscarriages and trauma. Through her artwork, she symbolically explores the loss and grief associated with her past pregnancies, using planting as a metaphor for birth and growth. The process of creating the painting becomes a deeply personal and therapeutic journey for Cheryl, allowing her to visualize and confront her emotions surrounding the unborn child.
Exploring the Creative Process with Various Artists
The book delves into the creative process of different artists, writers, musicians, and playwrights, highlighting their journey from inspiration to realization. It showcases how artists like Cheryl Pope channel personal experiences and emotions into their work, transforming pain and loss into meaningful artistic expressions. Through detailed case studies and interviews, the book captures the intricacies of the creative journey, revealing the struggles, triumphs, and revelations that artists experience while bringing their ideas to life.
Reflecting on the Evolving Landscape of Journalism and Publishing
The conversation touches on the evolution of journalism and publishing, from the vibrant era of magazines in the '90s to the digital age of fragmented information dissemination. Adam Moss reflects on the unique role of magazines in shaping cultural narratives, and the importance of editorial choices, visual aesthetics, and diverse voices in creating a compelling and engaging publication. The discussion highlights the challenges and limitations faced by modern media platforms in capturing the essence of traditional magazine storytelling and connection with readers.
Adam is the best magazine editor of my generation, and an old friend. From 2004 to 2019, he was the editor-in-chief of New York Magazine, and before that he edited the New York Times Magazine, and 7 Days — a weekly news magazine covering art and culture in NYC. His first book is The Work of Art: How Something Comes from Nothing.
For two clips of our convo — on the bygone power of magazines, and the birth of the great and powerful performance artist Dina Martina — pop over to our YouTube page. Other topics: his upbringing on Long Island; fantasizing about NYC through the cosmopolitanism of magazines; being a “magazine junky extremely early”; the literary journalism of the ‘60s; Gay Talese; Joan Didion; Tom Wolfe; Adam’s early start at The Village Voice; 18-hour workdays; joining Rolling Stone then Esquire; commissioning Frank Rich’s groundbreaking piece on gay culture; the visual strength of mags; 7 Days “doomed from the start” because of a stock market crash; the NYT’s Joe Lelyveld hiring Adam to “make trouble” with creative disruption; Tina Brown; “the mix” of magazines like a dinner party; the psychodrama of writers clashing with colleagues; how the Internet killed magazines; the blogosphere; podcasting; the artist Cheryl Pope and her series on miscarriages; Tony Kushner’s Angels in America; when creation is tedious and painful; Leaves of Grass and its various versions; Montaigne’s essays; Pascal and the incompleteness of The Pensées; Amy Sillman painting over her beautiful work; Steven Sondheim; choreographer Twyla Tharp; poetry as the concentration of language and the deconstruction of how we speak; poets Marie Howe and Louise Gluck; the fiction writer George Saunders; how weed suppresses the ego; and Adam’s preternatural calm.
Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Oren Cass on Republicans moving left on class, Noah Smith on the economy, Bill Maher on everything, George Will on Trump and conservatism, Lionel Shriver on her new novel, Elizabeth Corey on Oakeshott, and the great Van Jones! Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.
Get the Snipd podcast app
Unlock the knowledge in podcasts with the podcast player of the future.
AI-powered podcast player
Listen to all your favourite podcasts with AI-powered features
Discover highlights
Listen to the best highlights from the podcasts you love and dive into the full episode
Save any moment
Hear something you like? Tap your headphones to save it with AI-generated key takeaways
Share & Export
Send highlights to Twitter, WhatsApp or export them to Notion, Readwise & more
AI-powered podcast player
Listen to all your favourite podcasts with AI-powered features
Discover highlights
Listen to the best highlights from the podcasts you love and dive into the full episode