London Writers' Salon

#197: Chris Pavone — Writing the Modern Thriller, Sustaining Tension Over Action, and Defining Success on Your Own Terms

20 snips
Jun 7, 2026
Chris Pavone, Edgar Award–winning novelist and former publishing editor, discusses defining a book’s clear lane and rebuilding drafts from scratch. He explains editing to make a story bigger, sustaining slow-burning tension over nonstop action, and turning a single building into a portrait of a city. He also reflects on planning endings, managing multiple viewpoints, and what success looks like for a working novelist.
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INSIGHT

Edit To Make Books Bigger Not Just Less Bad

  • Editing has two directions: make a book less bad and make it better by adding more emotion, tension, or complexity.
  • Chris prioritises the "make it bigger" stage to layer stakes, not merely cut flaws.
ANECDOTE

Bestseller Felt Like A Publisher Win

  • Chris treated bestseller status as a publishing success driven by his publisher's marketing, not solely his achievement.
  • He felt gratitude because bestseller placement validated his publisher's investment and secured a two-book deal for stability.
INSIGHT

Announce A Mystery Then Make Readers Wait

  • Stating an event on page one and then making readers wait creates sustained curiosity; Pavone admires openings like To Kill a Mockingbird.
  • The Doorman opens by signalling a death and then asks readers to watch how it unfolds.
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