Melvyn Bragg and guests discuss poet Christina Rossetti, exploring her family background, religious themes in her poetry, and her influence on later writers. Topics include her health challenges, the religious themes in Goblin Market, her unique poetic style influenced by tractarian principles, and her portrayal of women in her works.
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Quick takeaways
Christina Rossetti's work reflects her devout Anglican beliefs and scholarly approach to faith, integrating religious themes into her poetry.
Rossetti's poetry style mirrors detailed nature observation, musical rhythms, and biblical references, showcasing her unique poetic voice.
Deep dives
Christina Rosetti's Background and Family Influence
Christina Rosetti grew up in a literary family with strong Italian roots. Her father, Gabriel Rosetti, was a Dante scholar, and her mother, Frances Polidori, had literary connections. Christina was the youngest of four children in a vibrant home that was a center for Italian exiles in London. Her education was religiously focused, but creatively rich, including exposure to fairy tales and nursery rhymes that influenced her writing from an early age.
Personality Shifts and Troubled Health
Christina Rosetti's childhood personality shifted from cheerful and bouncy to more troubled and melancholic during puberty. She experienced health issues that lingered, possibly due to Graves' disease. Despite these challenges, she maintained a forceful and passionate edge to her personality, marked by both stormy outbursts and religious devotion. Her health struggles provided her with the space to focus on her writing, leading to her prolific literary output.
Religious Themes in Christina Rosetti's Poetry
Christina Rosetti's works reflect her devout Anglicanism influenced by the Oxford Movement and Tractarianism. Her religious leanings focused on high Anglicanism and a return to pre-Reformation church practices. With a scholarly approach to faith, she integrated religious knowledge into her poetry, delving into themes like consumption and communion. Her daily devotion, prayer, and biblical reading informed her writing, creating a poetic style that resonated with spiritual depth and biblical references.
Poetic Style and Influences
Christina Rosetti's poetry style displays a keen interest in detailed observation of nature reminiscent of the Pre-Raphaelite Brotherhood's artistic aims. Drawing influences from Keats and Tennyson, her work exhibits musical rhythms and careful meter arrangements. Owing to her love for language and the Bible, her poems often feature biblical phrasings and allusions. This interplay between nature, music, and religious motifs characterizes her distinct poetic voice.
Melvyn Bragg and his guests discuss the life and work of the Victorian poet Christina Rossetti. Rossetti was born into an artistic family and her siblings included Dante Gabriel, one of the leading lights of the Pre-Raphaelite Brotherhood, to whose journal, 'The Germ', Christina contributed poems. She was a devout Anglican all her life and her religious beliefs are a recurring theme in her work. Christina never married, although she was engaged twice - one of her fiancés was the Pre-Raphaelite painter, James Collinson. She spent her time writing and volunteering for charitable works. It is said she even considered going to the Crimea with Florence Nightingale, but in the end ill health prevented her from doing so. Best known for her ballads and long narrative poems, she also wrote some prose and children's verses. Christina was admired by contemporaries including Swinburne, Tennyson and Elizabeth Barrett Browning. Her work was to have an influence on later writers such as Virginia Woolf and Gerard Manley Hopkins. Rossetti's poetry has a spirituality and sensitivity that has led to her redisovery in recent decades, not least by feminist critics who praise her powerful and independent poetic voice. With:Dinah BirchProfessor of English Literature and Pro-Vice Chancellor for Research at Liverpool University Rhian WilliamsLecturer in Nineteenth-Century English Literature at the University of GlasgowNicholas ShrimptonEmeritus Fellow of Lady Margaret Hall, University of Oxford Producer: Natalia Fernandez.
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