The Great Political Films: The Candidate w/Chris Smith
Dec 15, 2024
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Chris Smith, former MP and Secretary of State for Culture, Media and Sport in Tony Blair's government, dives deep into 'The Candidate' (1972). He discusses the film's raw portrayal of political compromise and the clash between idealism and reality in today's politics. Smith reveals how its themes resonate with current issues, especially amid a polarized political climate. He also draws fascinating parallels between the film and modern political figures, emphasizing the challenges candidates face in maintaining authenticity while navigating the complexities of political life.
The film 'The Candidate' illustrates the conflict between political idealism and the harsh realities of campaigning, relevant to today's political landscape.
The protagonist's deteriorating personal relationships in the film symbolize the sacrifices required in politics, echoing contemporary issues of personal and political identity.
Deep dives
Idealism vs. Political Reality
The film 'The Candidate' explores the tension between political idealism and the often harsh realities of campaigning. The protagonist, played by Robert Redford, begins his journey with a strong sense of purpose and a desire to create change, yet he quickly finds himself navigating the superficial aspects of political life. As he engages in debates and interactions, the film illustrates how his idealism is gradually tempered by the need to conform to the expectations of political operatives and voters. This conflict highlights the struggle many politicians face to maintain their values amidst the pressures of a competitive political landscape.
The Impact of Personal Relationships
Throughout the narrative, the protagonist's relationships evolve, particularly with his wife and his father, reflecting the personal sacrifices often required in politics. Initially supported by his wife, as the campaign progresses, their relationship deteriorates, symbolizing the collateral damage that political ambitions can inflict on personal lives. Additionally, interactions with his father reveal a deeper familial conflict, rooted in expectations and identity. The film poignantly illustrates how political ascent can lead to isolation and strained connections with those who once provided support.
The Role of Political Operatives
The character of Marvin Lucas, the political operative, embodies the complexities of modern political maneuvering and the compromises involved in achieving electoral success. While he provides vital guidance to the protagonist, Lucas also represents the machine that often prioritizes winning over ideals. Their relationship showcases the duality of political operatives as both facilitators of success and potential corruptors of authenticity. This dynamic raises questions about how much influence operatives should have over candidates' messages and the ethical implications of their strategies.
Reflection on Contemporary Politics
The themes presented in 'The Candidate' resonate strongly with issues faced in contemporary political discourse, particularly the personalization of campaigns and the manipulation of public image. The protagonist’s experiences highlight a continual struggle between conveying genuine beliefs and adhering to the crafted narratives expected by the electorate. The similar tactics used in today's political arena evoke memories of past campaigns, suggesting a cyclical pattern in political strategy that often sacrifices substance for style. Ultimately, the film serves as a reflective lens on the persistent challenges that idealistic candidates encounter in an increasingly polarized political landscape.
Today’s episode is a conversation between David and the former politician Chris Smith (long-time MP and Secretary of State for Culture, Media and Sport in Tony Blair’s first government) about The Candidate (1972), the first great political film of the 1970s. How does its portrayal of the compromises of running for office hold up today? Is it a cynical film or an inspiring one? And what lessons does it have for politics in the age of Trump?