The Next Track ♫ Episode #18 – New Yorker Music Critic Alex Ross Discusses Listening to Classical Music
Sep 16, 2016
Alex Ross, a renowned music critic for The New Yorker and author of 'The Rest is Noise,' dives deep into the world of classical music. He discusses the evolving definition of the genre and the influence of marketing versus artistic expression. Ross explores the transition from traditional formats to digital streaming, reflecting on how this shift alters our listening habits. He also addresses the accessibility of classical music, the high costs of performances, and innovative ways to attract a diverse audience while sharing personal musical recommendations.
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Episode notes
Classical Music Is A Living Continuum
- Classical music resists a fixed definition because it now spans composed, improvised, electronic, and sound-art practices.
- Alex Ross argues the borders between classical, popular, and art music are hazy and constantly shifting.
Curating Cuts Through Musical Overload
- Alex Ross defines classical music pragmatically: "what composers do," while acknowledging the definition is imperfect.
- He sees his role as filtering vast contemporary output and directing listeners to notable composers.
Introduce New Music By Mixing It With The Familiar
- Mix familiar works with unfamiliar ones to introduce listeners gradually to new music.
- Balance mainstream repertoire and contemporary pieces to keep readers engaged and curious.
