Alex Ross

Alex Ross, music critic at The New Yorker since 1996, discusses the changing field of criticism, Wagner's complicated legacy, and the role of art and artist. They also explore the importance of humor, the evolution of music criticism, artists overcoming failure, and German speaking emigres in Los Angeles.

Operatic soprano Jane Eaglen, renowned for her Wagnerian portrayals, shares her emotional connection to the Liebestod aria and her personal love story. Music critic Alex Ross delves into Wagner's historical influence and the layers of romantic desire in Tristan und Isolde. Meanwhile, writer Mandy Len Catron discusses modern love's complexities, including the interplay between choice and destiny in relationships. Together, they explore themes of forbidden love, the potion's implications, and the emotional journey that captivates audiences.

Alex Ross, a music critic for The New Yorker and author of "Wagnerism," talks about the nuanced connections between music and culture. He highlights the complex legacy of Wagner, the impact of recording technology on orchestras, and the training deficits in modern opera singers. Ross critiques artistic choices in films by Lars von Trier and Orson Welles, predicts shifts in concert attendance post-COVID, and discusses the influences of Rothko on music. His insights bridge the gap between classical music and wider cultural narratives.