Alex Ross

Alex Ross, music critic at The New Yorker since 1996, discusses the changing field of criticism, Wagner's complicated legacy, and the role of art and artist. They also explore the importance of humor, the evolution of music criticism, artists overcoming failure, and German speaking emigres in Los Angeles.

Alex Ross, a music critic for The New Yorker and author of "Wagnerism," talks about the nuanced connections between music and culture. He highlights the complex legacy of Wagner, the impact of recording technology on orchestras, and the training deficits in modern opera singers. Ross critiques artistic choices in films by Lars von Trier and Orson Welles, predicts shifts in concert attendance post-COVID, and discusses the influences of Rothko on music. His insights bridge the gap between classical music and wider cultural narratives.

Alex Ross, a renowned music critic for The New Yorker and author of 'The Rest is Noise,' dives deep into the world of classical music. He discusses the evolving definition of the genre and the influence of marketing versus artistic expression. Ross explores the transition from traditional formats to digital streaming, reflecting on how this shift alters our listening habits. He also addresses the accessibility of classical music, the high costs of performances, and innovative ways to attract a diverse audience while sharing personal musical recommendations.