The Daily The Government Takes On Ticketmaster
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May 30, 2024 
David McCabe, a technology policy correspondent for The New York Times, delves into the legal battle against Ticketmaster. He highlights the frustrations of music fans with ticket acquisition and the monopolistic grip of Live Nation, which controls 80% of the market. McCabe discusses allegations of coercive practices that harm artists and shape the concert experience. He also touches on how this case could shift the landscape of the live music industry, making it a pivotal moment for antitrust laws and consumer rights.
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Taylor Swift Ticket Fiasco
- Taylor Swift's Eras Tour presale exemplified Ticketmaster's issues.
- Fans experienced lockouts, unavailability, and high prices, highlighting the company's control.
Live Nation's Expansive Reach
- Ticketmaster's parent company, Live Nation Entertainment, dominates the live music industry.
- They control promotion, ticketing, resale, artist management, and venues.
The Initial Merger
- In 2010, the DOJ allowed Live Nation and Ticketmaster to merge with conditions.
- Concerns about reduced competition in ticketing arose early on.