Jacob Bloomfield, author of 'Drag: A British History', explores the origins and cultural significance of drag in Britain, tracing its roots from the Victorian era. He discusses the paradox of British culture's love for drag despite its perceived taboo, highlighting stories of influential drag performers. The podcast also explores the unique approaches of Dan Lino and Arthur Lukin, who portrayed Dames in British theater, and delves into the history and adaptability of drag as an art form.
Drag in British culture has a long history, stretching back to the Victorian era, and has entertained diverse audiences from different backgrounds and walks of life through various media platforms.
Drag performances have had a complex relationship with discussions on gender and sexuality, with interpretations varying depending on cultural contexts, but evidence of public consciousness and the interconnectedness of drag and gender/sexuality can be observed throughout history.
Deep dives
Drag as a Long-Standing British Tradition
Drag in British culture has a long history, stretching back to the Victorian era. It has entertained audiences from various backgrounds, including queer and straight individuals, conservatives and progressives, and people from all walks of life. Drag performances have been popularized through music halls, theater, film, radio, and other media platforms. While initially associated with male impersonation, drag is now considered a type of performance that comments on gender and can be more widely defined. From the late 19th to the mid-20th century, celebrated performers like Dan Leno and Arthur Lucan elevated the dam character in pantomime, imbuing it with not only slapstick humor but also pathos. Their artistic portrayals challenged stereotypes and showcased the complexity of dam characters. Throughout the years, drag has been influenced by and reflected cultural trends, such as the rise of theater, the growth of the musical, the dawn of film, and the emergence of radio. It became a mainstream form of entertainment accessible to diverse audiences.
Drag's Relationship with Gender and Sexuality
Drag performances have had an intricate relationship with discussions on gender and sexuality. While there was a cultural idea since the 18th century that men cross-dressing indicated specific sexual acts or behaviors, this notion was not universally accepted. Drag was not solely connected to same-sex desire or queer identity, as some audiences simply enjoyed drag shows without attaching deeper meanings. However, during certain periods, cross-dressing and male femininity were pathologized, particularly in the late 19th century when sexual theorists and scientists began labeling them as deviations. Nevertheless, the complexities of drag and its connections to sexuality existed in the public consciousness, evidenced by letters discussing sexual fantasies related to drag performers published in periodicals of the time. Drag's relationship with gender and sexuality was neither straightforward nor uniform, but rather multifaceted and varied depending on individual interpretations and cultural contexts.
Notable Moments and Figures in British Drag History
Several moments and figures have left their mark on British drag history. In the early 20th century, the Troop LaRouche et Noir gained popularity by performing drag shows for fellow soldiers during World War I. They later brought their shows to the British public, receiving significant support and even performing at Windsor Castle. LaRouche et Noir's success led them to produce one of the first British talkies, the 1929 film 'Splinters.' The film featured ex-servicemen drag performers and celebrated their art form. In the 1960s and 70s, Danny LaRouche, an incredibly popular performer, became a cultural touchstone, embodying contradictions and challenging the permissive society of the time. Despite being gay himself, LaRouche presented as a culturally conservative figure and criticized aspects of the changing society. These moments and figures highlight how drag has been embraced by mainstream audiences and has often influenced cultural trends and societal attitudes.
Drag Today and its Historical Context
Drag once again finds itself in the mainstream spotlight, marked by the global phenomenon of 'RuPaul's Drag Race' and increased media attention. However, this is not the first time that drag has gained prominence and been a topic of public discourse. Throughout history, drag has experienced periods of popularity, with commentators often expressing surprise and framing it as a new cultural development. This recurring pattern emphasizes the resilience and adaptability of drag as an art form. Drag has evolved over time, showcasing more avant-garde forms and becoming more inclusive. It has demonstrated its ability to reflect societal changes and challenge norms. Recognizing the historical context of drag helps situate contemporary perceptions and understand the ongoing evolution and impact of this vibrant art form.
Drag is an art form that's seen a great deal of success – and a little controversy – in recent years. Yet, as Jacob Bloomfield argues in his recent book, Drag: A British History, it's also entertained British audiences for decades, stretching back to the music halls of the Victorian era and revue shows of the Second World War. Matt Elton caught up with Jacob to find out more.
(Ad) Jacob Bloomfield is the author of Drag: A British History (University of California Press, 2023). Buy it now from Amazon: https://www.amazon.co.uk/Drag-British-History-Berkeley-Studies/dp/0520393325/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty
The HistoryExtra podcast is produced by the team behind BBC History Magazine.