Author Stephen Marche and composer Lucas Cantor discuss the use of AI in creative work, including an AI-written novel and completing Schubert's Unfinished Symphony. They explore the strengths and weaknesses of AI in generating plots and style, the process of using AI as a writing tool, analyzing and generating music with AI, and the role of AI in enhancing human creativity. The chapter also covers topics like birthday gifts and ads.
AI can serve as a writing tool, enhancing the creative process by assisting in generating unique and interesting text.
AI empowers artists to explore new sonorities and challenge musical orthodoxy, enhancing the creation of profound and innovative music.
Deep dives
Using AI to Write a Novel
Stephen Marsh, a writer, used AI to write a short novel called 'Death of an Author'. He used a generative AI model called GPT-4 to generate text, giving specific commands for style, syntax, and plot details. While AI is poor at generating plots, it excels at style. Marsh used a program called Pseudo to edit and refine the generated text, selecting the parts he liked and making it sound like different authors. The process was a creative act, with the AI serving as a writing tool to assist Marsh in creating a unique and interesting novel.
Using AI to Finish Schubert's Unfinished Symphony
Lucas Contour, a composer, used AI to help him finish Schubert's Unfinished Symphony. Contour was approached by a tech company called Huawei to create an AI-assisted composition. To achieve this, Contour trained the AI model on recordings of Schubert's music and prompted it with the unfinished symphony. By reducing the symphony's melodies to their simplest forms, the AI generated musical ideas that had a more modern sound. The AI served as a tool to explore new sonorities and challenge musical orthodoxy. Contour believes that AI enhances art and empowers artists to create new and profound music.
The Future Possibilities of AI in Creativity
Both Marsh and Contour believe that AI will not kill creativity but rather push it further. They acknowledge that AI has its limitations and is best used as a writing or composition tool. They see AI's potential in creating new art forms that don't exist yet and breaking conventional boundaries. While there are challenges in using AI for creative purposes, such as lack of institutions to support such endeavors, they remain optimistic about the power and beauty that AI can bring to the creative process.
A few weeks ago, Jacob Goldstein sat down with a writer and a composer on a stage in Chicago to talk about artificial intelligence. The conversation, which was part of the Chicago Humanities Festival, aimed to answer a big question: will AI kill creativity?
The writer, Stephen Marche, is the author of several nonfiction books and novels. Earlier this year he tried something new: he used AI to help him write a novel called Death of an Author. (That book was published in audio form by Pushkin Industries.)
The composer, Lucas Cantor, has won two Emmys for his work scoring the Olympics for NBC and co-produced a Lorde song that was in one of the Hunger Games movies. And he used AI to help him write an end to Schubert’s unfinished symphony.