Norman Rockwell’s ‘self portrait.’ All the Rockwell faces have been replaced with HAL 9000 from Kubrick’s ‘2001: A Space Odyssey.’ His signature has been modified with a series of rotations and extra symbols. He has ten fingers on his one visible hand.

This week on my podcast, I read Why I don’t like AI art, a column from last week’s Pluralistic newsletter:

Which brings me to art. As a working artist in his third decade of professional life, I’ve concluded that the point of art is to take a big, numinous, irreducible feeling that fills the artist’s mind, and attempt to infuse that feeling into some artistic vessel – a book, a painting, a song, a dance, a sculpture, etc – in the hopes that this work will cause a loose facsimile of that numinous, irreducible feeling to manifest in someone else’s mind.

Art, in other words, is an act of communication – and there you have the problem with AI art. As a writer, when I write a novel, I make tens – if not hundreds – of thousands of tiny decisions that are in service to this business of causing my big, irreducible, numinous feeling to materialize in your mind. Most of those decisions aren’t even conscious, but they are definitely decisions, and I don’t make them solely on the basis of probabilistic autocomplete. One of my novels may be good and it may be bad, but one thing is definitely is is rich in communicative intent. Every one of those microdecisions is an expression of artistic intent.

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(Image: Cryteria, CC BY 3.0, modified)

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