The Week in Art

Kusama x Louis Vuitton: art and luxury. Plus, Michael Rakowitz’s Tate/Iraq gift and photographer Rosy Martin

Jan 27, 2023
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Episode notes
1
Introduction
00:00 • 3min
2
The Evolution of Collaboration in the Fashion Industry
03:22 • 2min
3
Is Visual Art a Good Hook for a Collaboration?
05:06 • 3min
4
Is the Attention Economy a Brand's Need?
07:39 • 2min
5
Mark Jacobs
09:57 • 2min
6
The Relationship Between Art and Commerce in Japan
11:48 • 2min
7
Collaborations - Who Gains the Most?
14:03 • 2min
8
Is There a New Generation of Collectors?
15:48 • 2min
9
Collaborations Between Minds
17:46 • 2min
10
The Evolution of the Creative Directors
19:24 • 2min
11
The History of Art at the University of St. Paul
21:31 • 5min
12
What Are the Lamassu and the Metropolitan Museum of Art?
26:35 • 2min
13
The Invisible Enemy Shouldn't Exist for the Fourth Planet
28:17 • 2min
14
The Date Syrup
30:00 • 2min
15
A Triangular Agreement With the Tate Modern
31:51 • 4min
16
The Restitution of Repatriation
36:03 • 5min
17
Why We Need Universal Museums in a Diasporic World?
41:14 • 5min
18
I Didn't Put Myself Down for St Hood
46:26 • 2min
19
The Influence of Rosie Martin and Joe Spence
48:31 • 2min
20
I Didn't Put Myself Down for Sainthood by Rosie Martin
50:09 • 3min
21
Pouti's 'Altarpiece' on the Wall Is a Sort of Multi-Part Altarpiece, Multi-Panels
52:47 • 2min
22
Working With Women in Photography - Rosie Martin and Verity Wellstead
54:40 • 2min
23
The Greatest Hits in a More Traditional View of British Photography
57:06 • 4min