Drowned in Sound How Lore, DIY Music Scenes & The Cure Inspired This Viral Tiktokker (And What Musicians Can Learn)
Nirvana, TikTok, analogue aesthetics, and virality don't usually go together. Meet the creator who is bucking all the trends.
How do you build genuine community around music in an attention economy designed for extraction? What happens when Nirvana's DIY punk ethics meets TikTok algorithms? Can analog aesthetics and primary source research create alternatives to clickbait culture?
This week, Drowned in Sound founder Sean Adams talks with Royce aka ShoshinBoy - the TikTok creator behind viral music history videos that blend VHS cameras, rotary phones, and deep cultural excavation. From viral Nirvana content (2 million views) to uncovering forgotten Cure folklore, his analog-meets-digital approach reveals how authentic passion can cut through algorithmic noise.
Inspired by DIY punk rock culture, ShoshinBoy developed research methodology that prioritises primary sources and contemporary context over Wikipedia aggregation. His anti-gimmick gimmick - talking through vintage technology while analysing YouTube clips of Arctic Monkeys, The Clash, Pavement and many more - started as platform critique but evolved into genuine community building around shared musical mythology.
The conversation explores creator economy extraction, the death of mysterious rockstars in parasocial media landscapes, and why nostalgia both preserves and destroys cultural memory. Most importantly, it reveals how DIY ethics can survive on corporate platforms when creators prioritise community service over algorithmic optimisation.
Chapters:00:00 – Introduction
04:30 – Defining journalism
08:37 – Everett True's book to TikTok virality
11:59 – The analog setup: Anti-gimmick philosophy
17:05 – Primary sources vs Wikipedia
24:11 – Creator economy critique
34:04 – Nostalgia as cultural force
42:15 – Alternative funding
45:04 – The future of musical mythology in algorithm-driven culture
"I think that like. At its core, I just wanna be genuine and, and like I said, I'm only doing this 'cause it's fun and it's what I'm compelled to do anyways." [24:00]
"I don't think the idea of selling out exists in the year 2023. Acknowledging the idea that just to even pay rent or, or exist as a creative online in the current economy is, is it's so difficult." [26:00]
Continue the Conversation:- Email sean@drownedinsound.org with your thoughts on DIY ethics in the creator economy
- Join the discussion in our community forum about preserving musical mythology
- Share your experiences building authentic community around music passion
- @shoshinboy on TikTok - Analog music history through VHS and telephone
- Shoshin Boy on Instagram
- Everett True – Live Through This: American Rock In The 90s - The story of the grunge phenomenon by Everett True
- Careless Talk Costs Lives Magazine - Everett True's magazine mentioned
- Meta Label - Yancy Strickler's collective-focused creative platform
- Artist Corps - Creative collective experiment mentioned
- Simon Reynolds - Retromania - Book on nostalgia culture referenced
Sean Adams is the founder of Drowned in Sound, an independent music publication that has championed underground and independent artists since 2000. Through the DiS podcast, newsletter, and community, Sean explores how to build a fairer, more sustainable music industry while supporting the artists and fans who make it meaningful.
This evergreen episode of the DiS podcast was recorded in 2023 and explores how DIY punk ethics can survive and thrive in platform capitalism, revealing alternative paths for creators who prioritise community building over algorithmic extraction in the attention economy.