In this shortcast edition of the Podcast for Social Research, BISR’s Rebecca Ariel Porte, Ajay Singh Chaudhary, and Isi Litke discuss David Lynch's Mulholland Drive (2001). Conversation ranges over what it means for a thing to be "Lynchian," what it means for a thing to be surreal, why Mulholland Drive isn't easily reducible to pat explanation—and why that's a good thing, and the inextricability, modeled in the film, of dream life and ordinary reality. How, in film and life, do fantasy and reality merge? Why is Lynch particularly interested in Hollywood, that great dream factory? How does Lynchian melodrama, rubbing shoulders with Lynchian menace, give viewers the permission to feel things we otherwise deny ourselves in ordinary, waking life? What makes Lynch the premier poet of broken promises and shattered dreams?