The Podcast for Social Research

In episode 18 of (Pop) Cultural Marxism, Isi and Ajay spend some time with a handful of big news items at the intersection of politics and media—from the Skydance-Paramount merger (and other instances of media market concentration) and its implications for American newsmedia (and its potential new gatekeepers); to Charlie Kirk’s assassination, its aftermath, its mediations with mass cultural objects (like alleged HellDivers II bullet etchings or Nepalese protestors with One Piece flags); the culture industry’s failure to perform even its therapeutic function; and the growing exclusivity of once-accessible arts venues and performance spaces! A wide ranging discussion of summer media diets follows, beginning with Isi’s recent love affair with the Western genre. The two discuss their shared fondness for Sergio Leone and Ennio Morricone’s many collaborations and the unmatched brilliance of HBO’s Deadwood. Turning to the world of gaming, Ajay considers tragic endings (Expedition 33, the Death Stranding franchise), slow gaming (Herdling), and the relationship between gaming and choreography (Split Fiction). Also under consideration: what Joe Wright’s miniseries, Mussolini: Son of the Century, gets right about the fascist imaginary; what Len Wiseman’s Ballerina gets wrong about the appeal of John Wick; and what Foundation and The Sandman suggest about the challenges of adaptation and the culture industry’s recent predilection for a 21st century spin on classical tragedy. Along the way, they return repeatedly to a longstanding PCM preoccupation with medium-specificity as well as the general bleakness seeping into the cultural reflections of this historical moment.   (Pop) Cultural Marxism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.  

Episode 92 of the Podcast for Social Research features fusion folk trio Ghost Peppers in concert at BISR Central, playing songs old and new, including selections from their newly released EP Red. After the performance (44:00), the three Ghost Peppers — tabla player Ritam Bhowmil, guitarist Kevin Meehan, and vocalist (and BISR faculty) Amrita Ghosh — sat down with BISR’s Hannah Leffingwell and scholar Sara Kazmi for a wide-ranging conversation about cultural and musical fusion, and the histories, both personal and political, that surround it. What happens when classical South Asian rhythms are “fused” to rock, reggae, or Americana song structures? What kind of sonic imaginaries does fusion music evoke or produce, both across regions and within a partitioned South Asia? How can we distinguish fusion from cultural appropriation? Amidst political (and geopolitical) inequality, can musical traditions be combined “equally”? Finally, can Tagore be sung in a bar? The Podcast for Social Research is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky. Artwork: Bharti Kher, Algorithm for Hiding

In this episode of Faculty Spotlight, hosts Mark and Lauren sit down with faculty Alfred Lee and Xafsa Ciise, colleagues whose shared concerns—with race, bias, politics, human consciousness, and the history of science—have cultivated a fascinating and fruitful cross-disciplinary conversation. Xafsa, a social psychologist by training, kicks off the conversation with description of how she found her way into a historical investigation of trauma and its discourses, after which Alfred, a physicist by training and data scientist in practice, details the social and political questions that animate his concern with digital innovation and data applications. Along the way, their conversation touches on the surprising origins of trauma in mesmerism and animal magnetism; the experimenter’s effect; simulation and deception in both trauma studies and AI discourse; scientism’s bracketing of politics, and politics’ return by way of history; conflicting concepts of “intelligence”; contextuality and relationality versus the conceit of universality; Freud, Fanon, and how psychoanalysis thinks about Blackness; the return of eugenics and race IQ discourses; longtermism and what a view to the far-distant future implies about the present; and the dangerously autarkic character of big tech.  The Podcast for Social Research is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.  

Episode 91 of the Podcast for Social Research is a live recording of an event marking the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with BISR faculty Jude Webre, Suzanne Schneider, Hannah Leffingwell, and Alfred Lee each offering thoughts on the manifold legacies—literary, scientific, political (and geopolitical)—of August 6th and 9th, 1945. How, specifically, did the atomic bombs work, and what, specifically, did they do to the target cities and peoples? How did U.S. anti-war and feminist movements work to recover repressed domestic memories of the atomic bombings—and how do the politics of mourning (whose lives are eligible to be mourned?) impinge on the politics of race, gender, and class? Who gets to own nuclear weapons—and what justifies that ownership? Who is permitted to proliferate—and on what moral or political authority? What sort of historical rupture did the inauguration of nuclear weapons affect? Why do nuclear weapons resist prudential human control? Indeed, how do discourses of "inevitability," so often employed in debates around weaponry and A.I., inhibit democratic politics and practice?

Ruth Averbach, a BISR faculty member studying Russia's first trans writer, and Sophie Lewis, focusing on enemy trans feminism, dive deep into the complexities surrounding trans identities. They explore the nuances of trans politics, contrasting trans liberalism with materialism, and critique the portrayal of trans figures in history and media. Their conversation questions societal perceptions of trans rights in light of recent legal changes, advocating for a more nuanced understanding of trans experiences amidst contemporary struggles and identities.

In episode 72 of Practical Criticism, Ajay takes the somber occasion of Brian Wilson's recent death to play, for Rebecca, the Beach Boys's immortal track "God Only Knows"—a song Paul McCartney called the "greatest ever written." Is Sir Paul, for once, correct? Ajay and Rebecca ask after the song's technical perfection, noting its intermix of pop, jazz, and even Bach-esque baroque, while dwelling as well on its emotional ambiguity, barbershop polyphony, and inimitable quality of being at once light and airy yet incredibly substantial. Is "God Only Knows" the platonic ideal of pop? How can we think about "genius"—and its complicated avatar, Brian Wilson? 

In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa’s Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor’s second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy’s deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma’s Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene. (Pop) Cultural Marxism is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky Shownotes: Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker Manifesto

In episode 89 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Danielle Drori, Jude Webre, and Lauren K. Wolfe sat down following a screening of Stanley Kubrick’s controversial final film, Eyes Wide Shut, to discuss its long thirty years in the making, its source material in fin-de-siècle Vienna, and its vision of bourgeois marriage and sexual morality in turn-of-the-millennium New York. Kicking off with behind-the-scenes Hollywood details, Jude adumbrates an argument for the film as an auteur’s personal reverie, tracing resonances between it and the enigmatic story of Kubrick’s own (second) married life in postwar New York City; Lauren then lets us in on the lurid sexual obsessions of Arthur Schnitzler, on whose 1926 novella Dream Story the film is based, with the interpretive aid of W.G. Sebald; while Danielle guides us through a collective Freudian analysis of the dreams that run through and construct the film’s emotional core. With insightful and witty participation from the audience, the talk touches on masculinity within marriage; nudity and nakedness; coitus interruptus; Freud’s stages of sexual development; dream as unconscious communication; sex and death; fucking down and marrying up; Nicole Kidman as gay icon; and whether anything of substance appears to have changed in bourgeois sexual morality between circa 1900 and 1999. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky  

In episode 16 of (Pop) Cultural Marxism, Isi and Ajay discuss the return of Tony Gilroy’s Andor. Before departing for a galaxy far, far away, they stop by the world of gaming to chat about Hazelight Studio’s latest co-op title, Split Fiction, and the impact of Trump’s tariffs on the rollout of Nintendo’s Switch 2. Turning to the first three episodes of Andor’s second season, Isi and Ajay discuss the show’s improbable presence in the Disney universe, the promises and perils of thinking with all-too-timely cultural objects, and formal and technical differences between seasons one and two. They then evaluate Gilroy’s attempt to balance the tone and feel of the original trilogy with a plausible account of fascist and imperial rule–one that explores the minutiae of bureaucratic hierarchy, financial audits, counterinsurgency tactics, fascist youth culture, the exploitation of undocumented workers, communication blackouts, and the fragility of political resistance. Along the way, they discuss Gilroy’s historical and filmic references, and the show’s resonances with long-time PCM favorite, Franz Neumann’s Behemoth. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky

For episode 88 of the Podcast for Social Research, BISR’s Rebecca Ariel Porte welcomed special guests—translator Katrina Dodson and songwriter and vocalist Lacy Rose—for an evening of reading, musical performance, and conversation honoring the enduring legacy of Brazilian writer Clarice Lispector. Occasioned by the release of Rose’s concept album Lispector, featuring the Starling Quartet, and Dodson’s Covert Joy, a selection of her translations of Lispector’s short stories, the three intersperse between reading and performance a discussion of Lispector’s work and the passionate attachments it inspires. What makes Lispector such a touchstone? What are the challenges of adapting her work to another language and another medium? What does it mean to find one’s own idiom through the work of another? The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky