David Remnick, Editor of The New Yorker, shares insights on his journalism journey, experiences in Russia, and the impact of demagoguery on news credibility. From Yeshiva mishaps to interviewing icons, his reflections on writing, music as escapism, and the evolving media landscape make for an engaging discussion.
David Remnick's early exposure to magazines sparked his journalism passion, leading to a successful career in investigative reporting.
Facing financial challenges at The New Yorker, Remnick's strategic changes and embrace of subscription model have ensured the magazine's profitability and relevance in the digital age.
Deep dives
David Remnick's Early Influences and Journalism Career
David Remnick's interest in journalism was sparked by his experience reading magazines in his father's dental office during his mother's illness. He began writing for his high school newspaper at 13 and later co-founded a student newspaper in college. Remnick's journalism career took off at The Washington Post, where he worked under legendary editor Ben Bradlee. His Pulitzer Prize-winning book 'Lenin's Tomb' delved into the last days of the Soviet Empire, showcasing his reporting prowess and investigative skills.
Challenges and Triumphs at The New Yorker
Upon joining The New Yorker, David Remnick faced financial challenges as the magazine had incurred significant losses. Through innovative approaches and strategic changes, he managed to steer the publication towards profitability since 2001. Embracing the subscription model and diversifying content, The New Yorker thrived despite a shifting media landscape dominated by digital giants. Remnick's commitment to reader engagement and journalistic integrity has been pivotal in sustaining the magazine's relevance and success.
Bob Dylan, Journalism, and Podcast Expansion
David Remnick's admiration for Bob Dylan's work manifested during his childhood, influencing his love for music and artistic expression. Despite missing out on exclusive excerpts of Dylan's memoir, Remnick remains deeply connected to music's power and impact. His expansion into podcasts at The New Yorker reflects a blend of audacious experimentation and journalistic excellence. Collaborating with colleagues like Malcolm Gladwell, Remnick continues to embrace new mediums while upholding the publication's legacy of quality storytelling.
Reflecting on Journalism's Evolving Landscape
In navigating the complexities of contemporary journalism, David Remnick acknowledges the shifting terrain of media and its challenges. Concerns over the credibility of news and the impact of digital platforms like Google and Facebook on traditional media outlets have prompted strategic adaptations. With a keen eye on balancing journalistic integrity and economic realities, Remnick underscores the importance of sustaining journalistic value amidst societal and technological transformations.
Since 1998, David Remnick has been the editor of The New Yorker and has written hundreds of pieces for the magazine, including reporting from Russia, the Middle East, and Europe and Profiles of Barack Obama, Bill Clinton, Katharine Graham, Mike Tyson, Bruce Springsteen and more. He also hosts the magazine’s national radio program and podcast, “The New Yorker Radio Hour.” He joins live at the On Air Fest to talk about his legendary life and career.