Exploring the Economics of Audio Production and a Memorable Encounter with Bob Dylan

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The chapter discusses audio production costs and the role of a meme mixologist before delving into a personal anecdote about attempting to secure an exclusive excerpt of Bob Dylan's memoir, showcasing the artist's diverse talents beyond music.

Since 1998, David Remnick has been the editor of The New Yorker and has written hundreds of pieces for the magazine, including reporting from Russia, the Middle East, and Europe and Profiles of Barack Obama, Bill Clinton, Katharine Graham, Mike Tyson, Bruce Springsteen and more. He also hosts the magazine’s national radio program and podcast, “The New Yorker Radio Hour.” He joins live at the On Air Fest to talk about his legendary life and career.