Hero, Victim and Perpetrator: The Must-Have Relationships in Your Story

1

Introduction

00:00 • 2min

2

How to Make the Prosecutor More Comprehensible

01:37 • 5min

3

I Loved That Trap!

06:39 • 1min

4

I Don't Know if the Cop Is Still Alive When He Stole the Badge

07:51 • 2min

5

What's the Most Important Component of the Theft?

09:44 • 2min

6

The Masterwork Pattern - The Breakdown

11:34 • 2min

7

The Master Work Scene - Is That a Warrior?

13:25 • 2min

8

I Think the a Clue That Wilson Has Seen Him Before Is Next Important

15:30 • 2min

9

Was It a Bad Read on Leslie Orshawn?

17:52 • 2min

10

The Set Up - Wilson and Randall, the Killer and the Punisher

20:11 • 3min

11

What's the Relationship Between Randall and Wilson?

22:50 • 4min

12

Story Grid - The Process of Breakdown

26:44 • 3min

13

I'm Going to Stop You There, Right?

29:38 • 3min

14

The Context of Your Story

32:32 • 5min

15

I'm Going to Have Power Over the Power. That's Awesome.

37:13 • 1min

16

How to Write a Short Story - The Impersonal Relationship

38:39 • 2min

17

Blackmail

40:15 • 2min

18

The Shirt Is New, Right?

42:43 • 3min

19

What's the Point of the Wedging in T in the Opening?

45:52 • 3min

20

I Didn't Love Forged as That Verb in That First Sentence

48:41 • 2min

21

I Don't Think of It as a Wedge

50:20 • 2min

22

The Police Station Is My Oasis

51:56 • 3min

23

The Story Grid Podcast - Episode 5

54:57 • 2min