In the final episode of their series, Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's. A Far Cry from Kensington has a deceptively simple plot: Agnes Hawkins, working for a publisher in London in the 1950s, insults Hector Bartlett, a would-be author, by calling him a ‘pisseur de copie’. Bartlett seeks revenge with the help of Hawkins’s fellow lodger, Wanda, with tragic results. Yet the true plot of any Spark novel is difficult to pin down, not least when the word ‘plot’ is deployed so frequently by her characters to imply conspiracy and misinformation. Colin and Clare discuss Spark’s kaleidoscopic view of reality and the ways in which both Catholicism and Calvinism play through her work.
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Read more in the LRB:
Jenny Turner:
https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong
Frank Kermode:
https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances
Susan Eilenberg:
https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty
James Wood:
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