Jonathan Swift’s 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it’s read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not’? In this episode Marina and Anna Della discuss Gulliver’s Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Terry Eagleton:https://www.lrb.co.uk/the-paper/v23/n16/terry-eagleton/a-spot-of-firm-governmentClare Bucknell: Oven-Ready Childrenhttps://www.lrb.co.uk/the-paper/v39/n02/clare-bucknell/oven-ready-childrenThomas Keymer: Carry Up your Coffee Boldlyhttps://www.lrb.co.uk/the-paper/v36/n08/thomas-keymer/carry-up-your-coffee-boldlyNext episode: Marco Polo’s Il Milione and Italo Calvino’s Invisible Cities.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

In The Essence of Christianity (1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrcipIn other podcast apps: https://lrb.me/closereadingscipFurther reading in the LRB:James Wood: What next?https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-nextTerry Eagleton: George Eliothttps://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak Hosted on Acast. See acast.com/privacy for more information.

On one level, Mansfield Park is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel is also a shrewd study of speculation, ‘improvement’ and the transformative power of money.In the first episode of Novel Approaches, Colin Burrow joins Clare Bucknell and Thomas Jones to discuss Austen’s acute reading of property and precarity, and why Fanny’s moral cautiousness is a strategic approach to the riskiest speculation of all: marriage.Non-subscribers will hear To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrnaIn other podcast apps: https://lrb.me/closereadingsnaClare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.Next episode: Clare Bucknell and guests on Thomas Love Peacock’s Crotchet Castle. Hosted on Acast. See acast.com/privacy for more information.

Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrldIn other podcast apps: https://lrb.me/closereadingsldRead more in the LRB:Colin Burrow (on the 'two-handed engine'):https://www.lrb.co.uk/the-paper/v35/n05/colin-burrow/shall-i-go-onFreya Johnston (on Samuel Johnson's criticism):https://www.lrb.co.uk/the-paper/v46/n08/freya-johnston/own-your-ignoranceMaggie Kilgour (on the young Milton):https://www.lrb.co.uk/the-paper/v43/n20/maggie-kilgour/pens-and-heads Hosted on Acast. See acast.com/privacy for more information.

The Thousand and One Nights is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the Nights. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Marina Warner: Travelling Texthttps://www.lrb.co.uk/the-paper/v30/n24/marina-warner/travelling-textSteven Connor: One’s Thousand One Nightinesshttps://www.lrb.co.uk/the-paper/v34/n06/steven-connor/one-s-thousand-one-nightinessesWilliam Gass: A Book at Bedtimehttps://www.lrb.co.uk/the-paper/v16/n21/william-gass/a-book-at-bedtime Marina Warner: ‘The Restless One’https://www.lrb.co.uk/blog/2024/june/the-restless-oneNEXT EPISODE: ‘Gulliver’s Travels’ by Jonathan Swift, out on Monday 10 February.Get the book: https://lrb.me/sealenightsffMarina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

The series begins with Søren Kierkegaard’s Fear and Trembling (1843), an exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, Fear and Trembling appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what Fear and Trembling has in common with the works of Dostoevsky and Kafka.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrcipIn other podcast apps: https://lrb.me/closereadingscipFurther reading in the LRB:Jonathan Rée: Dancing in the Service of Thought https://lrb.me/cipkierkegaard1James Butler: Reading Genesis https://lrb.me/cipkierkegaard2Roger Poole: A Walk with Kierkegaard https://lrb.me/cipkierkegaard3Terry Eagleton: A Long Way from Galilee https://lrb.me/cipkierkegaard4James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.NEXT EPISODE: 'The Essence of Christianity' by Ludwig Feuerbach, out on Monday 3 February.LRB AUDIOBOOKSDiscover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:https://lrb.me/audiobookscip Hosted on Acast. See acast.com/privacy for more information.

Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.The first episode will come out on Monday 27 January, on Austen’s Mansfield Park.Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.The full list of texts for the series:Mansfield Park (1814) by Jane AustenCrotchet Castle (1831) by Thomas Love PeacockWuthering Heights (1847) by Emily BrontëVanity Fair (1847) by William Makepeace ThackerayNorth and South (1854) by Elizabeth GaskellAurora Leigh (1856) by Elizabeth Barrett BrowningAnthony Trollope (TBD)Mill on the Floss (1860) by George EliotOur Mutual Friend (1864) by Charles DickensWashington Square (1880)/Portrait of a Lady (1881) by Henry JamesKidnapped (1886) by Robert Louis StevensonThe Mayor of Casterbridge (1886) by Thomas HardyNew Grub Street (1891) by George Gissing  Hosted on Acast. See acast.com/privacy for more information.

Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and healing.The first episode will come out on Monday 20 January, on Milton's ‘Lycidas’.Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. Hosted on Acast. See acast.com/privacy for more information.

Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.The first episode will come out on Monday 13 January, on The Thousand and One Nights.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.Texts for the first four episodes:The Thousand and One Nights (Yasmine Seale’s translation)Jonathan Swift, Gulliver’s TravelsThe Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass Hosted on Acast. See acast.com/privacy for more information.

James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.The first episode will come out on Monday 6 January, on Kierkegaard's Fear and Trembling.James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.The full list of texts for the series:Søren Kierkegaard, Fear and TremblingLudwig Feuerbach, Essence of Christianity, translated by George EliotRalph Waldo Emerson, ‘Circles’ and other essaysJohn Stuart Mill, An AutobiographyF.H. Bradley, ‘My station and its duties’Friedrich Nietzsche, ‘Schopenhauer as Educator’William James ‘The Will to Believe’Martin Heidegger, ‘The Thing’Jean-Paul Sartre, Theory of the EmotionsSimone de Beauvoir, Ethics of AmbiguityAlbert Camus, The FallIris Murdoch, Sovereignty of Good Virginia Woolf, To the Lighthouse  Hosted on Acast. See acast.com/privacy for more information.