

198 - The Music of St. Hildegard of Bingen - Margot Fassler
Jun 30, 2025
Margot Fassler, a renowned expert on St. Hildegard of Bingen and a professor at the University of Notre Dame, dives into the enchanting world of the 12th-century abbess's music. They discuss how Hildegard's unique blend of music, theology, and cosmology propelled her compositions into a realm ahead of their time. Margot highlights the innovative nature of her work 'Ordo Virtutum,' the spiritual narratives in her melodies, and how her music continues to resonate today, enhancing modern liturgical practices and inspiring individual faith journeys.
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Hildegard's Dual Music Theory
- St. Hildegard balances theoretical, cosmological views of music with practical composition and performance.
- Her music transcends rules, reflecting mystical, visionary origins and liturgical function.
Improvisation in Composition
- Hildegard's music composition process involves improvisation and reiteration of motifs.
- She develops musical ideas by breaking phrases apart and expanding them in varied ways.
Music as Salvific Voice Recovery
- Hildegard views music as a salvific recovery of humanity's lost voice of praise.
- Music reconnects humans to the celestial order and angelic singing lost through the fall.