Join Sarah Koenig, the producer behind Serial, as she delves into the legacy of her father, a trailblazing advertising copywriter known for iconic slogans. She uncovers surprising family stories about creativity and industry rivalries. Also, hear from reporter Mary Wiltenburg as she poignantly narrates the struggles of two Tanzanian brothers navigating identity and belonging, emphasizing the complex questions of where we come from. Both stories reflect the deep ties between legacy, memory, and the search for self.
The romanticized narrative of entrepreneurs starting in garages contrasts with research showing most gain experience in established companies first.
Julian Koenig's story highlights the struggle for recognition and legacy in advertising, revealing the complexities of creative ownership.
Ige's journey of reclaiming his identity as a Tanzanian refugee emphasizes the challenges of cultural adaptation and personal heritage.
Deep dives
The Myth of the Garage Entrepreneur
The belief that successful entrepreneurs emerge from humble beginnings in garages is deeply ingrained in popular culture, exemplified by famous companies like Apple and Hewlett-Packard. However, research indicates that most entrepreneurs actually begin their journeys by working for others within their desired industry, gaining experience and building a network before launching their ventures. For instance, both Steve Jobs and Steve Wozniak had prior jobs at established companies before starting Apple in a garage. This challenges the romanticized notion that great entrepreneurs are solely self-made, emphasizing the importance of mentorship and industry knowledge.
International Perspectives on Entrepreneurship
The archetype of the garage entrepreneur appears to be predominantly an American concept, with limited parallels in other cultures. Research done by Pino Audia shows that in other countries, there isn't a similar narrative tied to startup success often associated with garage beginnings. This distinct American narrative reflects a broader cultural belief in equal opportunity and the idea that anyone can achieve great success, regardless of their background. Companies like Google, although often mistakenly attributed to humble garage beginnings, illustrate how the myth can distort the true nature of entrepreneurial endeavors.
The Appeal of Creation Myths
The allure of compelling creation stories extends beyond entrepreneurism, permeating various industries and shaping public perceptions. Narratives about entrepreneurs are often crafted to appear more relatable and heroic, even leading to exaggerated or false claims about their origins. For instance, it has been shown that widely believed stories, such as eBay being created for a collector's convenience or YouTube emerging from a simple dinner party, are embellished or outright false. This tendency highlights a cultural desire for dramatic origin tales that elevate ordinary successes to grand narratives.
The Legacy of Advertising and Personal Narratives
Julian Koenig, a prominent ad man, reflects on the challenges of recognition and legacy in the advertising industry, particularly around the attribution of famous campaigns. His struggle stems from his partnership with George Lois, who has often been credited for work that Koenig believes should be recognized as his. This conflict over creative ownership underscores broader themes of acknowledgment and credit for collaborative efforts in creative fields. As Julian ages, the importance of his contributions looms larger, revealing how deeply interconnected personal identity and professional legacy can be.
Navigating Identity in a New Culture
Ige, a young refugee from Tanzania, grapples with his identity after relocating to America, exemplifying the complexities faced by many young immigrants. His struggle with his name and heritage illustrates a common challenge among children who feel torn between their past and their new environment. As he transitioned from Ige to John and back, his journey reflects not only personal confusion but also the pressures of fitting into a new culture. Ultimately, his reclamation of Ige signals a growing acceptance of his identity and experiences as he learns to navigate his dual heritage in his new home.
Prologue: Host Ira Glass talks to business professor Pino Audia and Fast Company magazine columnist Dan Heath about corporate creation myths and why so many of them involve garages. (7 minutes)
Act One: Sarah Koenig tells the story of her father, Julian Koenig, the legendary advertising copywriter whose work includes the slogan "Timex takes a licking and keeps on ticking" and Volkswagen's "Think Small" ads. For years, Sarah has heard her dad accuse a former partner of stealing some of his best ideas, but until recently, she never paid much attention. Then she started asking her dad for details of this fight for his legacy, and what she learned surprised her. (20 minutes)
Act Two: Producer Sean Cole visits Chad's Trading Post in Southampton, Massachusetts. One person who works there wears a shirt that says "Chad's Brother;" other shirts say "Chad's Best Friend," "Chad's Cousin," and "Chad's Father." Pictures of Chad are everywhere. Chad's dead. The family explains. (14 minutes)
Act Three: Peter Sagal, host of NPR's Wait Wait...Don't Tell Me, tells Ira the origin story of one of the worst movie sequels ever made. (5 minutes)
Act Four: Reporter Mary Wiltenburg tells the story of a little boy stymied by the question "Where do you come from?" (8 minutes)