Maurice Duruflé (1902-1986) was one of the greatest sacred composers of the 20th century, best known for his Requiem and his motet "Ubi caritas". His lush and tranquil choral and organ works combine a deep familiarity with Gregorian chant with the style of impressionism, imbued with a sense of prayer as he was a devout Catholic.

Organist and choirmaster Christopher Berry, who studied organ under Duruflé's widow, Marie-Madeleine Duruflé, joins the podcast to discuss Maurice Duruflé in his historical context as someone who, from childhood, was schooled in the Church's ancient chant tradition, and as an adult applied Pope St. Pius X's instructions for sacred music which were so influential on that generation. Schooled at the Paris conservatory, Duruflé received rigorous training in improvisation, which was the core skill for French organists at that time. His approach to improvising on chant and hymn melodies can still be heard in Catholic churches today.

Links

Catholic Institute of Sacred Music https://catholicinstituteofsacredmusic.org/

Music heard in this episode:

Excerpts from the Requiem—courtesy of Voices of Ascension https://www.amazon.com/Durufle-Album-Requiem-Messe-Jubilo/dp/B0000006ZS

        (See their upcoming performance season at www.VoicesofAscension.org)

Prélude et fugue sur le nom d'Alain op. 7 - played by Marie-Madeleine Duruflé

Excerpt from Choral varié sur le Veni Creator op.4 - played by Maurice Duruflé himself https://www.youtube.com/watch?v=3SBCDScgqsQ

Ubi caritas - by Choir of St. John's Elora

Tantum ergo - by St. John's College Choir

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